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This collection of critical essays on the American novelist Bret Easton Ellis examines the novels of his mature period: American Psycho (1991), Glamorama (1999), and Lunar Park (2005). Taking as its starting-point American Psycho's seismic impact on contemporary literature and culture, the volume establishes Ellis' centrality to the scholarship and teaching of contemporary American literature in the U.S. and in Europe. Contributors examine the alchemy of acclaim and disdain that accrues to this controversial writer, provide an overview of growing critical material on Ellis and review the literary and artistic significance of his recent work. Exploring key issues including violence, literature, reality, reading, identity, genre, and gender, the contributors together provide a critical re-evaluation of Ellis, exploring how he has impacted, challenged, and transformed contemporary literature in the U.S. and abroad.
THE CONTROVERSIAL SUNDAY TIMES BESTSELLER. Candid, fearless and provocative – the author of American Psycho on who he is and what he thinks is wrong with the world today. Bret Easton Ellis is most famous for his era-defining novel American Psycho and its terrifying anti-hero, Patrick Bateman. With that book, and many times since, Ellis proved himself to be one of the world’s most fearless and clear-sighted observers of society – the glittering surface and the darkness beneath. In White, his first work of non-fiction, Ellis offers a wide-ranging exploration of what the hell is going on right now. He tells personal stories from his own life. He writes with razor-sharp precision about the...
Bret Easton Ellis’s American Psycho is one of the most controversial and talked-about novels of all time. A multi-million-copy bestseller hailed as a modern classic, it is a violent and outrageous black comedy about the darkest side of human nature. With an introduction by Irvine Welsh, author of Trainspotting. I like to dissect girls. Did you know I’m utterly insane? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, and reservations at every new restaurant in town. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare . . . Part of the Picador Collection, a series showcasing the best of modern literature.
In this follow-up to his bestselling debut novel, Imperial Bedrooms sees Bret Easton Ellis reuinite with the privileged teenagers of his debauched Los Angeles, as they enter middle age. Clay is a successful screenwriter, middle-aged and disaffected; he’s in LA to cast his new movie. However, this trip is anything other than professional. Soon, he's drifting through a louche and long-familiar circle – a world largely populated by the band of infamous teenagers first introduced in Bret Easton Ellis's first novel Less Than Zero. After a meeting with a gorgeous but talentless actress determined to win a role in his movie, Clay finds himself connected with Kelly Montrose, a producer whose gruesomely violent death is suddenly very much the talk of the town. As his degenerate reverie is interrupted by a violent plot for revenge, his seemingly endless proclivity for betrayal and exploitation looks set to land him somewhere darker and more ominous than ever before.
This book reads the whole of Bret Easton Ellis's oeuvre to date from Less Than Zero to Imperial Bedrooms and asks to what extent Ellis's novels can be read as critiquing the cultural moments of which they are a part. Ellis's work can be thought of as an enactment of a process of underwriting contemporary culture, which offers new paths of understanding and ways of critiquing the contemporary author's place in the relations of production.
With an introduction by Otessa Moshfegh, author of Lapvona. In 1985, Bret Easton Ellis shocked, stunned and disturbed with his debut novel, Less Than Zero. Published when he was just twenty-one, this extraordinary and instantly infamous work has become a rare thing: a cult classic and a timeless embodiment of the zeitgeist. Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less Than Zero – narrated by Clay, an eighteen-year-old student returning home to Los Angeles for Christmas – is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity, and its author’s refusal to condone or chastise such behaviour. Less Than Zero has done more than simply define a genre: it continues to be a landmark in the lives of successive generations of readers across the globe.
In Glamorama, Bret Easton Ellis delivers a shadowy, looking-glass world. It is a world where fame and fashion, terror and mayhem meet – and begin to resemble the familiar surface of our own lives . . . The centre of the world: 1990s Manhattan. Victor Ward, a model with perfect abs and all the right friends, is seen and photographed everywhere. Even in places he hasn’t been, and with people he doesn’t know. On the eve of opening the trendiest nightclub in New York history, he’s living with one beautiful model and having an affair with another. Now it’s time to move to the next stage. But the future he gets is not the one he had in mind . . . 'Does for the cold, minimal ’90s what American Psycho did for the Wall Street greed of the ’80s. You name it, he manages to get it all in' – Vogue
He became a bestselling novelist while still in college, immediately famous and wealthy. He watched his insufferable father reduced to a bag of ashes in a safety-deposit box. He was lost in a haze of booze, drugs and vilification. Then he was given a second chance. This is the life of Bret Easton Ellis, the author and subject of this remarkable novel. Confounding one expectation after another, Lunar Park is equally hilarious, horrifying and heartbreaking. It’s the most original novel of an extraordinary career – and best of all: it all happened, every word is true.
Lauren, who changes her course subject every time she changes her sleeping partner, is the centre of a curious love triangle which involves the shrewd and passionate bisexual Paul, and Sean whose ambivalence and cynicism conceal - even from himself - his own romantic yearnings. Through each of the character ́s voices Ellis presents a kaleidoscopic view of clashing expectations and frustrations, of the dreams and tumultuous desires of youth. ''The rules of attraction'' paints a poignant and sometimes hilarious picture of the couplings and capitulations, the dramas and downfalls of american college life in the 1980s.
Incisive, controversial and startlingly funny, The Rules of Attraction examines a group of affluent students at a small, self-consciously bohemian, liberal-arts college on America’s East Coast. Lauren, who changes the man in her bed even more often than she changes course, is dating Victor but sleeping with Sean. Sean – cool, ambivalent and deeply cynical – might be in love with Lauren, but he’s not going to let that stop him from bedding Paul. Paul, as shrewd as he is passionate, is Lauren’s ex-lover and the final point in this curious triangle. From the author of American Psycho, Bret Easton Ellis's The Rules of Attraction is a breathtaking tale of sex, expectation, desire and frustration.