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The Philosophy of Clint Eastwood
Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has virtually defined the archetype of the tough lawman. Beginning with his first on-screen appearance in the television series Rawhide (1959--1965) and solidified by his portrayal of the "Man with No Name" in Sergio Leone's "Dollars" trilogy (1964--1966), he rocketed to stardom and soon became one of the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology behind this versatile and controversial figure, exploring his roles as actor, musician, and director. Led by editors Richard T. McClelland and Brian B. Clayton, the contributors to this timely ...
The Good, the Bad and the Ancient
Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.
The Philosophy of Michael Mann
Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works—Ali (2001), Miami Vice (2006), and Public Enemies (2009). The Philosophy of Michael Mann provides an up-to-date and comprehensive account of the work of this highly accomplished filmmaker, exploring the director's recognizable visual style and the various on-screen and philosophical elements he has tested in his thirty-five-year career. The essays in this wide-ranging book will appeal to fans of the revolutionary filmmaker and to philosophical scholars interested in the themes and conflicts that drive his movies.
The Philosophy of J.J. Abrams
For more than two centuries, Kentucky women have fought for the right to vote, own property, control their wages, and be safe at home and in the workplace. Tragically, many of these women's voices have been silenced by abuse and violence. In Violence against Women in Kentucky: A History of U.S. and State Legislative Reform, Carol E. Jordan chronicles the stories of those who have led the legislative fight for the last four decades to protect women from domestic violence, rape, stalking, and related crimes. The story of Kentucky's legislative reforms is a history of substantial toil, optimism, advocacy, and personal sacrifice by those who proposed the change. This compelling narrative illustr...
The Philosophy of War Films
Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and...
Two Wings
In this book two college professors explain how believing and reasoning are two human activities that may be integrated to form a complete view of human existence. They take their title from the opening of John Paul II's encyclical Fides et Ratio, which speaks of the human spirit rising on the two wings of faith and reason to stretch toward the truth that is available to all. In the first part of the book, the authors offer a basic yet engaging encounter with traditional arguments for and against God's existence. They grapple with doubts arising from the question of evil and the discoveries of contemporary natural science. The final chapters take up questions from ethics and politics that impact the way individuals and communities choose to structure their lives. This book is non-dogmatic; it seeks to probe the contours of the questions asked by inquiring minds. The authors fairly address arguments supporting and opposing their own viewpoints while using simple analogies designed for non-specialists. Thus they provide the best available starting point for confidently entering into the greatest conversation of all time.
Behavior Analyst
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Clint Eastwood's Cinema of Trauma
Throughout his directorial career, Clint Eastwood's movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order--a choice that leaves them marginalized rather than redeemed. In this collection of new essays, contributors examine his films--from The Outlaw Josey Wales to Sully--as studies on PTSD that expose the social conditions that tolerate or trigger traumatization and (in his more recent work) imagine a way through individual and collective trauma.
