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Other Latitudes
Attempting to repair the fissures of everyday life, Brian Brodeur negotiates the psychological distances between desire and disgust, humor and catastrophe, banality and dream. The poems of Other Latitudes begin in the realm of personal experience, and expand into larger territories of cultural narcissism and political blindness. These poems meditate on the tenuous relationship between artist and subject, the curiosities of self-inflicted wounds, and the presence of hope in a landscape that is intrinsically scarred. Brodeur's debut illustrates the conflict between inner lives and their outward appearances, with an eye turned to the unforgiving natural world.
Local Fauna
"Local Fauna opens with a meta-poem about Jack Spicer, and I couldn't help but think of his 'dictated' poetry, poetry as vessel, poetry getting down what needs to be said. Brian Brodeur's poems have this urgency--life, death, cruelty, politics, war, capitalism, and love. Hard truths come through the past, radio interviews, zoo animals, neighbors, personas, and pop songs. Brian Broduer's poetry has insistence and morality, inclusivity and beauty. Local Fauna is terrific."--Denise Duhamel"Brian Brodeur's formal skill, his feel for the whole history beneath a sentence, a line, a syllable, is matched here only by his unsentimental compassion for the people he renders in his poems. I can think of few other poets who capture what contemporary American life actually feels, looks, and sounds like as movingly as Brodeur does. Poems such as 'Cousins,' 'Local Fauna,' and 'The Register' will be with us for a long time indeed. Brian Brodeur is a marvel." --Peter Campion
Every Hour Is Late
An original collection of poetry from Brian Brodeur.
Lovely Asunder
Danielle Cadena Deulen is a PhD candidate in English at the University of Utah. Her book of essays, The Riots , is the winner of the 2010 AWP Award Series in Creative Nonfiction and is published by the University of Georgia Press.
Reveille
In Reveille, a man suffers fits of super-natural coughing, flytraps attack a child, a moray haunts a waterbed, poltergeists revise a church's furnishings, an interview is conducted through a man-eater's throat, and the prodigal son stalks his local brothel in a pair of lion hide pajamas. The copious invention in these poems renders a host of holy objects and exotic creatures, surveying them the way one might the emblems in a dream: curious of their meanings but reluctant to interpret them and simplify their mystery. Theologically playful, rhetorically sophisticated, and formally ambitious, Reveille is rooted in imaginative awe and driven by the impulse to praise. At its heart this is a book ...
The Fire That Breaks
In terms of literary history, Gerard Manley Hopkins has been difficult to pin down. Many of his concerns - industrialism, religious faith and doubt, science, language - were common among Victorian writers, but he is often championed as a proto-modernist despite that he avoids the self-conscious allusiveness and indirectness that typify much high modernist poetry. It is partly because Hopkins cannot be pigeonholed that his influence remains relevant. The Fire that Breaks brings together an international team of scholars to explore for the first time Hopkins's extended influence on the poets and novelist who defined Anglo-American literature throughout the past century.
Natural Causes
Winner of the 2011 Autumn House Press Poetry Contest, selected by Denise Duhamel. Brodeur's second full-length collection showcases clarity of voice and sits in the domestic and poltical.
Ghost Fishing
Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as h...
The Gone and the Going Away
With The Gone and the Going Way, Pulitzer finalist Maurice Manning returns us to the beloved and lamented lives and landscape of the hill people of his native Kentucky.
In the Garden of the Bridehouse
"A collection of original poetry in three parts"--
