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The illustrations of Brian Cook from the 1930s, 1940s and 1950s have become iconic. His heightened use of colour, in a flat colour poster style, is much imitated, but never surpassed. His jacket covers for the Batsford series of books that celebrated British life are now very collectable. This collection of his best work is a beautiful publication that should be enjoyed not only by collectors but all lovers of good design and illustration. Brian Cook describes his working processes, the then-new printing process that allowed him to pioneer his characteristic bold colours, and the design principles and practical methods of his craft. A stunning book for designers.
Distinctive in its drawing and brilliant use of colour, the work of Brian Cook originally appeared on Batsford book jackets from the 1930s to the early 1950s. These books have been enduringly popular; they are collectors items and for many were the beginning of a life-long interest in British landscape and architectural heritage. In this volume these jackets are brought together for the first time.
A new edition of a classic Batsford title from the 1930s. London is brought to life through its people, buildings and history in this classic book, first published in 1935. The Spirit of London presents a wonderful snapshot of our capital before World War II and a charming insight into urban life in the 1930s. Paul Cohen-Portheim was an Austrian traveller and writer who was interned in the UK during World War I. His enforced stay made him fall in love with England and in particular, London. This is his take on the irrepressible city. Chapters include: Towns Within, Town Streets and their Life, Green London, London Amusements and Night Life, Traditional London, London and the British and London and the Foreigner. The book features Brian Cook’s iconic illustration of Ludgate Circus and St Paul’s on the cover. Add in the charm of the authentic voice of a 1930s Londoner, this book should be enjoyed by all Londoners and London enthusiasts.
A new edition of Batsford's classic 1930s guide to England's cathedrals, with foreword by Simon Jenkins. This classic guide from 1934 gives a brief account and pictorial review of every Church of England cathedral in England that existed at the time. Simply and concisely written to be read by anyone with an interest in the subject, the book features cathedrals from the mighty York Minster, Durham and Canterbury through St Albans to Ripon and Southwark. The full list of cathedrals covered are: Bristol, Canterbury, Carlisle, Chester, Chichester, Durham, Ely, Exeter, Gloucester, Hereford, Lichfield, Lincoln, London, Norwich, Oxford, Peterborough, Ripon, Rochester, St Albans, Salisbury, Southwark, Southwell, Wells, Winchester, Worcester, York. Also the Parish church cathedrals of Birmingham, Blackburn, Bradford, Chelmsford, Coventry (pre-war building), Derby, Leicester, Manchester, Newcastle, Portsmouth, St Edmundsbury, Sheffield and Wakefield.
Brian Cook's illustrations of Britain, its cottages, churches, villages, and landscapes, are now iconic and highlight the best of Britain. These iconic images were originally commissioned for Batsford book jackets in the 1930s, 40s and 50s. His heightened use of color and flatposter style has been muchimitated but never surpassed. Each notebooksis exquisitely finished with a cloth-bound cover, back pocket, and elastic closure. The inside pages are woodfree paper with alternate lined and plain pages. These journals are perfect for vintage book lovers."
The official TV-tie in to the popular Channel 4 programme 'Penelope Keith's Hidden Villages' Explore the most interesting and beautiful examples of British village life in this lavishly illustrated book, published as a companion volume to the highly successful Channel 4 television series, 'Penelope Keith's Hidden Villages'. Featuring gorgeous illustrations and dust jackets from Brian Cook's iconic designs, the book explores the villages as they appeared then and now. It's hard not to be enchanted by rural villages. From thatched roofs, charming churches, bunting, cream teas and the local landscape, they capture our imaginations. Structured by region, this book follows Penelope's journey thro...
Brian Cook's illustrations of Britain, its cottages, churches, villages, and landscapes, are now iconic and highlight the best of Britain. These iconic images were originally commissioned for Batsford book jackets in the 1930s, 40s and 50s. His heightened use of color and flat poster style has been much imitated but never surpassed. Each notebooks is exquisitely finished with a cloth-bound cover, back pocket, and elastic closure. The inside pages are woodfree paper with alternate lined and plain pages. These journals are perfect for vintage book lovers.
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This early work is a thorough guide to the old inns of England that provides a window onto a bygone age. It is extensively illustrated with full and half page black and white photographs of some of the country 's oldest and most attractive inns. With a map of principal coaching routes and the situations of the featured inns marked upon it.Contents: The Inn and the Road; The Larger Inn; The Small Inn and Alehouse; Inn Names and their Lore; The Inn in Literature; A Selected List of Notable Inns, with Notes on Touring. This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience.
This beautifully illustrated book is a tribute to the natural beauty of England's coasts and seas. Vale's engaging prose and stunning photographs offer a vivid and detailed portrait of the region's diverse landscapes, marine life, and cultural heritage. Whether you are an armchair traveler or an avid sailor, this book is a must-read for anyone who loves the sea and the natural world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.