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Dispersing the Clouds of Temptation
In Romans 7:14-25, Paul declares, "For I do not do the good I want, but the evil I do not want, is what I do" (KJV). St. Paul's statement is a universal truth for all human beings; humans--whether Christians, Jews, Muslims, Buddhists, Hindus, or atheists--are prone to committing free actions that are not "good." Furthermore, and irrespective of how we might construe the notion of "good" (whether as acting in accordance with some religious or spiritual precept or simply doing what is in one's best interest), we often knowingly and freely choose actions that may, or in fact do, harm us. There is a name given to such actions. We call them "weak-willed." "Weakness of will," or akrasia, has perplexed philosophers, theologians, and laypersons alike for centuries. This book reveals why the idea has caused so much bafflement and consternation for so many. The main thrust of the work, however, is to illuminate and inspire: Lightbody seeks to demonstrate, concretely, how and why we are weak-willed. By extracting an "alchemical touchstone" from Plato's middle period philosophy, Lightbody, in addition, reveals how we may transmute harmful appetites into life-edifying passions.
A Genealogical Analysis of Nietzschean Drive Theory
Nietzsche’s “drive theory”, as it is referred to in the secondary literature, is a rich, unique and fascinating articulation of the human condition. In broad brushstrokes, Nietzsche appears to contend that all human psychology is either directly reducible to animal drives (e.g. sex, aggression) or indirectly explicable to the historical transformations thereof (e.g. ressentiment). Moreover, Nietzsche’s initial elucidation of drive theory in On the Genealogy of Morals (and elsewhere) is well-complemented with a fecund, profound, and clear elucidation of the concept in the secondary literature. Yet, there remains a glaring lacuna for all the discussion of drive theory in the scholarshi...
Nietzsche's Will to Power Naturalized
“The world viewed from the inside, the world defined and determined according to its “intelligible character”––it would be “will to power” and nothing else.” Cryptic passages like this one from section 36 of Beyond Good and Evil have been the source of much intrigue, speculation, and puzzlement in the Nietzschean secondary literature. This passage in particular along with many others, have sparked a slew of questions in recent decades such as: “What is the will to power? “Is will to power a metaphysical principle?” “Is it an empirical assertion?” “Or, is will to power merely a hypothesis that Nietzsche himself rejected?” Although asked ad nausea inthe literature...
Philosophical Genealogy
Volume I, explored the three axes of the genealogical method: power, truth and the ethical. In addition, various ontological and epistemic problems pertaining to each of these axes were examined. In Volume II, these problems are now resolved. Volume II establishes what requisite ontological underpinnings are required in order to provide a successful, epistemic reconstruction of the genealogical method. Problems regarding the nature of the body, the relation between power and resistance as well as the justification of Nietzschean perspectivism, are now all clearly answered. It is shown that genealogy is a profound, fecund and, most importantly, coherent method of philosophical and historical investigation which may produce many new discoveries in the fields of ethics and moral inquiry provided it is correctly employed
The Problem of Naturalism
Philosophers often use the term “naturalism’ in order to describe their work. It is commonplace to see a metaphysical, epistemological and/or ethical position self-described and described by others as one that is “naturalized.” But what, if anything, does the term naturalized add--or subtract---to the position being articulated? I demonstrate in The Problem of Naturalism: Analytic and Continental Perspectives, that the term naturalism connotes such a broad meaning that it is difficult to demarcate naturalism from philosophy itself. Still, many philosophers have tried to provide non-trivial and non-vacuous definitions of the term. My book, by and large, argues that such attempts are u...
The Logic of Incarnation
With his Logic of Incarnation, James K. A. Smith has provided a compelling critique of the universalizing tendencies in some strands of postmodern philosophy of religion. A truly postmodern account of religion must take seriously the preference for particularity first evidenced in the Christian account of the incarnation of God. Moving beyond the urge to universalize, which characterizes modern thought, Smith argues that it is only by taking seriously particular differences--historical, religious, and doctrinal--that we can be authentically religious and authentically postmodern. Smith remains hugely influential in both academic discourse and church movements. This book is the first organized attempt to bring both of these aspects of Smith's work into conversation with each other and with him. With articles from an internationally respected group of philosophers, theologians, pastors, and laypeople, the entire range of Smith's considerable influence is represented here. Discussing questions of embodiment, eschatology, inter-religious dialogue, dogma, and difference, this book opens all the most relevant issues in postmodern religious life to a unique and penetrating critique.
Rewriting Texts Remaking Images
The twenty-four essays in Rewriting Texts Remaking Images: Interdisciplinary Perspectives examine the complex relationships between original creative works and subsequent versions of these originals, from both theoretical and pragmatic perspectives. The process involves the rereading, reinterpretation, and rediscovery of literary texts, paintings, photographs, and films, as well as the consideration of issues pertaining to adaptation, intertextuality, transcodification, ekphrasis, parody, translation, and revision. The interdisciplinary analyses consider works from classical antiquity to the present day, in a number of literatures, and include such topics as the reuse and resemantization of photographs and iconic images.
Whitechapel
In 1888 a series of notorious murders were perpetrated by an enigmatic killer known only as Jack the Ripper who terrified the Whitechapel district of East London. Six women were murdered in a four month period with the killings ending as suddenly as they began with an unknown motive. Whitechapel tells the story of these killings through the eyes of Robert Ford a young uniform constable working in the district during the reign of the horrific crimes. The fictional story of his involvement with the investigation presents a plausible explanation of how and why the killings were perpetrated; how and why Jack the Ripper was never caught and how members of the British establishment perverted the c...
The Logic of Incarnation
With his Logic of Incarnation, James K. A. Smith has provided a compelling critique of the universalizing tendencies in some strands of postmodern philosophy of religion. A truly postmodern account of religion must take seriously the preference for particularity first evidenced in the Christian account of the incarnation of God. Moving beyond the urge to universalize, which characterizes modern thought, Smith argues that it is only by taking seriously particular differences--historical, religious, and doctrinal--that we can be authentically religious and authentically postmodern. Smith remains hugely influential in both academic discourse and church movements. This book is the first organized attempt to bring both of these aspects of Smith's work into conversation with each other and with him. With articles from an internationally respected group of philosophers, theologians, pastors, and laypeople, the entire range of Smith's considerable influence is represented here. Discussing questions of embodiment, eschatology, inter-religious dialogue, dogma, and difference, this book opens all the most relevant issues in postmodern religious life to a unique and penetrating critique.
Disguise, Deception, Trompe-l'oeil
The essays in Disguise, Deception, Trompe-l'oeil: Interdisciplinary Perspectives investigate the subject of deception and falsehood from various perspectives. Classical, modernist and postmodern texts and art forms, both visual and performative, are examined in frames of reference that range from aesthetics and literary theory to cognitive science. In some cases, deception and falsehood are seen to have positive connotations, and, in other cases, their negative dimensions are highlighted. The complexity of these terms and their relationship with truth and truthfulness are put on display by the contributors to this volume.
