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It's been our distinct pleasure over the past few years to publish monographs on a select group of young architects and firms whose work represents the best of contemporary design thinking while retaining a distinctive regional sensibility. The Nova-Scotian architect Brian MacKay-Lyons fits neatly into this distinguished list, which includes Marlon Blackwell in the Ozarks, Rick Joy in the Southwest, andMiller/Hull in the Northwest. Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions ...
An inspiring monograph that captures the practical yet beautiful architecture of one of the leading architectural firms in the world
"Architecture is a social art. If the practice of architecture is the art of what you can make happen, then I believe that you are only as good as your bullpenthe builders, the engineers, the artisans, the colleagues, the staffwho collaborate with you; those who become possessed by the same urge to build, by the same belief that we are working on something exceptional together." Brian MacKay-Lyons For two weeks each summer, architect Brian MacKay-Lyons uses his family farm on the east coast of Nova Scotia for aspecial event. Among the stone ruins of a village almost four hundred years old, he assembles a community of architects,professors, and students for a design-build internship and educa...
In architecture, as in food, local is an idea whose time has come. Of course, the idea of an architecture that responds to site; draws on local building traditions, materials, and crafts; and strives to create a sense of community is not recent. Yet, the way it has evolved in the past few years in the hands of some of the world's most accomplished architects is indeed defining a new movement. From the rammed-earth houses of Rick Joy and Pacific Northwest timber houses of Tom Kundig, to the community-built structures of Rural Studio and Francis Kéré, designers everywhere are championing an architecture that exists from, in, and for a specific place. The stunning projects, presented here in the first book to examine this global shift, were featured at the thirteenth and final Ghost conference held in 2011, organized by Nova Scotia architect, educator, and local practitioner Brian MacKay-Lyons. The result is the most complete collection of contemporary regionalist architecture available, with essays by early proponents of the movement, including Kenneth Frampton, Juhani Pallasmaa, and Pritzker Prize–winning architect Glenn Murcutt.
Including an abundance of black and white drawings and photographs, this book looks at the regionalist approach of architect Lyons as exemplified by 16 selected projects from 1986 to 1997. Ranging from rural cottages and homes to urban houses and institutional buildings, each project entry includes
Including an abundance of black and white drawings and photographs, this book looks at the regionalist approach of architect Lyons as exemplified by 16 selected projects from 1986 to 1997. Ranging from rural cottages and homes to urban houses and institutional buildings, each project entry includes
A rich and varied glimpse into the creative processes of a broad array of contemporary architects. While digital technologies have pushed the boundaries of architectural creation, conceiving an original and appropriate design is as challenging as it has always been. As this book shows, however, a recent return to the basic act of putting pen or pencil to paper has produced some of the most successful buildings of the past decade. Making Marks follows the highly successful Architects’ Sketchbooks, which presented the rich breadth of sketches created by contemporary architects post digital revolution. Taking a post-digital perspective, the sixty renowned architects whose work is collected he...
In these pages you will find reproduced the entire contents of the CatherineHennessey.com, written over three years from 2000 to 2003. While the archive of the weblog continues to live online, this is not an easy medium for contemplative reading and, as Catherine would tell you if you asked, itâs liable to just up and disappear one day, electrons and computers being what they are. So, if nothing else, in committing Catherineâs words to paper I hope to provide them with a longer-lasting home.The notion of a âblogâ was very new in 2000: Catherine was one of the first âbloggers,â on PEI or anywhere. So what you read here, on top of everything else, is part of the shaping of a new medium.These words provide so much insight into Catherine and the Charlotte Town she loves so dearly.
Ten projects, presented with text and b&w photographs and drawings, reveal how architect Barry Johns has played a role in the transformation of the Canadian prairie and how his designs are drawn from a search for harmony with the land, culture and institutions of this region. The foreword by editor Brian Carter (U. of Michigan), and essays by Essy
The work of Samuel Mockbee and Coleman Coker "offers many lessons for projects of all scales and locations. It is an architecture that both celebrates and transcends its regional influences". -- Progressive Architecture