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Lance Comfort
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
The Encyclopedia of British Film
With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.
The British 'B' Film
This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
The never-ending Brief Encounter
This is a book for all those who have been absorbed and moved by Brief Encounter in the seventy or so years since its first appearance. It explores the central relationship of the film, where two people who fall unexpectedly in love come to realise that there is more to life than self-gratification. Mores have undoubtedly changed, for better or worse, but that essential moral choice has never lost its power. While acknowledging this, the book goes further in an effort to account for the way the film has passed into the wider culture. People born decades after its first appearance are now adept at picking up references to it, whether a black-and-white scene in a much later film or a passing joke about a bald man in a barber’s shop.
Real and Reel
'Real and Reel' is a light-hearted, ironic account of a lifetime's addiction. It is one person's story, but it may strike familiar sparks among many others. Though there have been plenty of other interests to keep life lively, nothing else has exerted such a long-standing grip on the author's imagination as film. From a little before ten years of age, he became addicted to stories told on the screen and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered; he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years.
Novel to Film
First systematic theoretical study of the process in which works of literature are transformed into the medium of cinema. Draws on recent literary and cinema theory.
An Autobiography of British Cinema
An Autobiography of British Cinema tell the story of British film by those who made it.
The Youngest Goalie
The exciting true story of Albert Forrest, who played in the Stanley Cut Finals at the age of 17--the youngest goalie ever. But more than just the fast-paced action of hockey, this is also the story of Albert and his Dawson City Nuggets teammates as they journey more than 4,000 miles from the Yukon to Ottawa to compete for the Stanley Cup in the year 1904, before planes and automobiles.
