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The Art of the Reprint
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
The Practice and Representation of Reading in England
This collection of fourteen essays highlights both the singularity of personal reading experiences and the cultural conventions involved in reading and its perception.
A Bibliographical Companion
During even a cursory reading of the "literature about books," students of bibliography frequently have initial difficulties in understanding some of the terms they encounter. In A Bibliographical Companion, Roy Stokes provides an alphabetical list of such words and phrases. In this volume, the terms are defined briefly, their importance is discussed, and the author provides suggested readings designed to lead the student towards a more complete understanding. Aimed at students who are at an early stage of their bibliographical interests, A Bibliographical Companion is an invaluable resource.
Annual Bibliography of the History of the Printed Book and Libraries
The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.
A Directory of the Parochial Libraries of the Church of England and the Church in Wales
Because of the unauthorized sale, loss, or deteriorating condition of parochial libraries in the 1930s and 1940s, a postal survey of surviving collections was undertaken which resulted in a detailed report and directory finally published under the general editorship of Neil Ker as The Parochial Libraries of the Church of England: Report of a Committee appointed by the Central Council for the Care of Churches to Investigate the Number and Condition of Parochial Libraries belonging to the Church of England, with a Historical Introduction, Notes on Early Printed Books and their Care and an Alphabetical List of Parochial Libraries Past and Present, by Faith Press in 1959. This book is a thorough...
Encyclopedia of Ephemera
The joy of finding an old box in the attic filled with postcards, invitations, theater programs, laundry lists, and pay stubs is discovering the stories hidden within them. The paper trails of our lives -- or ephemera -- may hold sentimental value, reminding us of great grandparents. They chronicle social history. They can be valuable as collectibles or antiques. But the greatest pleasure is that these ordinary documents can reconstruct with uncanny immediacy the drama of day-to-day life. The Encyclopedia of Ephemera is the first work of its kind, providing an unparalleled sourcebook with over 400 entries that cover all aspects of everyday documents and artifacts, from bookmarks to birth cer...
The Shakespeare First Folio: A new worldwide census of first folios
This major reference book for Shakespeare scholars and bibliographers is in the second part of the story of "the greatest book" in the English language. Listing 228 copies of the First Folio, the Census gives concise descriptions of each, covering condition, special features, provenance, and binding. It traces the search for copies, deals with doubtful identifications, describes the tests for inclusion, and presents details of missing copies.
Beyond Pilgrim Souvenirs and Secular Badges
Brian Spencer, former Keeper of the Museum of London, was a major scholar of medieval popular culture. He almost single-handedly established the study of pilgrim souvenirs and secular badges. He defined what these objects were and ascertained their function, manufacture, style, and iconography with a careful use of primary documents and intricate stylistic analysis. He identified every major souvenir and badge discovered in Great Britain during the last few decades. He also made prominent contributions to the field of seal matrices, gaming pieces, and horse paraphernalia. What bound all of these interests together was his understanding that the study of these artefacts could shed light on the beliefs and practices of a large number of people. This is reflected in the frequency with which his work is cited. This volume is a collection of essays written by those who worked with Brian directly and those with whom he corresponded.
