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Interculturalism and Performance Now
This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.
Performing the Intercultural City
Explores how theater in Toronto, the world's most multicultural city, vibrantly reflects its diversity and cultural makeup
Not Our Kind
When you talk about outsiders, it's easy to think about that sense of isolation when you're not one of the "popular kids" in high school, when you're the new person on the job, when you stand out in a bad way. But there's more than that. There's the sense of wonder at a new, alien place. There's seeing everything you know through a new, different point of view. These stories defy expectations and easy genre boundaries. But if you want that sense of wonder and amazement when you first encountered speculative fiction, that idea that there is something different, something more just around the corner, just out of sight, that sense of coming home to the unfamiliar, then this is the book you want to read. Edited by Nayad Monroe - who also edited What Fates Impose - these nineteen stories bring us tales of being the other, of belonging, and not belonging.
New Dramaturgy
Recent shifts in the theatrical landscape have had corresponding implications for dramaturgy. The way we think about theatre and performance today has changed our approaches to theatre making and composition. Emerging new aesthetics and new areas of dramaturgical work such as live art, devised and physical theatre, experimental performance, and dance demand new approaches and sensibilities. New Dramaturgy: International Perspectives on Theory and Practice is the first book to explore new dramaturgy in depth, and considers how our thinking about dramaturgy and the role of the dramaturg has been transformed. Edited by Katalin Trencsényi and Bernadette Cochrane, New Dramaturgy: International Perspectives on Theory and Practice provides an unrivalled resource for practitioners, scholars, and students.
Ghost Light
Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. As the field of dramaturgy continues to shift and change, this new edition prepares theatre students and practitioners to create powerful, relevant performances of all types.
Toward a Dramaturgical Sensibility
"Toward a Dramaturgical Sensibility begins with a moment in Shakespeare's Antony and Cleopatra in which Cleopatra says to Antony, "Not know me yet?" With these four words Cleopatra poses a simple but fundamental human problem: What can we know? She and Antony have known each other for years, at times gloriously - emotionally, mentally, and in the archaic sense of the word, physically - but still the challenge of knowing hangs in the air. Cleopatra's question reminds us that knowledge is not simple: that it is as likely to create yearning as satisfaction; that it is not confined to any one part of the self; that it is far from intellect alone. It reminds us as do most great plays - that life is part wonder, part terror." "What we can know? This study - aimed at students, teachers, and theater artists - suggests that he attempt to know the dramaturgy of a play is little different from the attempt to know another person for whom we care."--BOOK JACKET.
Hope in a Collapsing World
For young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose. Collaborating across institutions, theatres, and community spaces, the research in Hope in a Collapsing World mobilizes theatre to build its methodology and create new data with young people as they seek the language of performance to communicate their worries, fears, and dreams to a global network of researchers and a wider public. A collaboration between a social scientist and a playwright and using both ethnographic study and playwriting, Hope in a Collapsing World represents a groundbreaking hybrid format of research text and original script – titled Towards Youth: A Play on Radical Hope – for reading, experimentation, and performance.
Time of the Cat
It’s time to take history seriously. The cats and humans of Chronos College know that time travel is the best job in the world, and nothing bad can ever happen to them in the past… except that one time they lost a traveller. And that other time they lost a cat. Now they have a chance to make up for past mistakes by rescuing a long lost legend. If only they could convince Professor Boswell, the grumpiest marmalade tabby of all time, to join their mission to the Swinging Sixties, and save one of their own. (Plus pick up a missing piece or two of lost media along the way.) Join Ruthven, Boswell, Monterey and Lovelace on the most chaotic time travel adventure of their lives. Featuring special appearances by Cleopatra, Anne Boleyn, famous actress Fleur Shropshire, and the even more famous house where they filmed TV show Cramberleigh between 1964-1986. Time of the Cat is a cozy sci-fi romp through the centuries, featuring academic endnotes, epic friendships, and far more cat hair than is strictly necessary. If you’d rather use time travel to steal the pens of famous writers of history than stop to fill in the proper paperwork, then this is the novel for you.
No Shit, There I Was
Is there a better phrase to start a story than "No Shit, There I Was..."? If you hear someone start with that phrase, you know it's going to be worth listening carefully. That's how all the craziest - and most interesting - stories start. And then we turned a bunch of speculative fiction authors loose on that phrase.
Uncanny Magazine Issue 31
The November/December issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Elizabeth Bear, D.A. Xiaolin Spires, Vina Jie-Min Prasad, Laura Anne Gilman, and Jenn Reese. Essays by G. Willow Wilson, Alexandra Erin, Brandon O' Brien, Jeannette Ng, and Keidra Chaney, poetry by Sonya Taaffe, Hal Y. Zhang, Annie Neugebauer, and Sylvia Santiago, interviews with Elizabeth Bear and Jenn Reese by Sandra Odell, a cover by John Picacio, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Michi Trota.
