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Is there a better phrase to start a story than "No Shit, There I Was..."? If you hear someone start with that phrase, you know it's going to be worth listening carefully. That's how all the craziest - and most interesting - stories start. And then we turned a bunch of speculative fiction authors loose on that phrase.
This work peels back the curtain on how political campaigns influence America, covering everything from social media to getting to the Oval Office. This comprehensive handbook reveals essentially everything the American public wants to know about political campaigns. The two-volume set begins with a historical overview, then goes on to investigate campaigns from a variety of perspectives that shed light on how they work and why. Readers will discover how campaigns are run, how they're covered by the media, how they influence government, and how various interest groups and demographics play a part in the system. The contributors—who include academics, elected officials, journalists, and cam...
This book examines the multi-media explosion of contemporary political satire. Rooted in 18th century Augustan practice, satire’s indelible link with politics underlies today’s universal disgust with the ways of elected politicians. This study interrogates the impact of British and American satirical media on political life, with a special focus on political cartoons and the levelling humour of Australasian satirists.
Third Flatiron Anthologies presents 18 dark fantasy/science fiction,slipstream, and horror stories in its new collection, "StrangeBeasties."An international group of new and established contributors includes Bruce Arthurs, John Sunseri, Philip John Schweitzer, TimJeffreys, Sarah Tchernev, Lucy Harlow, Philip Brian Hall, Jean Graham,Marc E. Fitch, Christa Carmen, Isobel Horsburgh, Paulo Da Silva, JeffHewitt, Wulf Moon, Daniel Rosen, Brenton Clark, John J. Kennedy, andBrian Trent. Foreword by Lizz-Ayn Shaarawi. Edited by Juliana Rew.
In the past decade various studies have examined how political humor may influence various political attitudes and voting behavior; whether it affects learning, cognition and media literacy, how it might shape political participation; how people process different forms of political humor; and more. This book is devoted to anticipating and addressing where the field of political humor and its effects will move in the next generation of scholarship, exploring the continued evolution of the study of political humor as well as the normative implications of these developments. It includes research accounting for important changes and developments "on the ground" in the political humor landscape. These include the fact that the cadre of late-night television hosts have completely changed in the past 3 years; there are now more late night television choices; and many hosts have become more overtly political in their presentations. Recommended for scholars of communication, media studies, and political science.
"Electoral persuasion is central to democratic politics. It includes strategic communication not only by candidates and parties but also by interest groups, media, and citizens. This volume surveys the vast literature on this topic, emphasizing contemporary research and topics and complementing deep coverage of U.S. politics with international perspectives"--
Is there a better way to start a story than"No sh!t, there I was..."?If you hear that phrase, perk up, because you know you're in for a heck of a tale. That's how all the craziest - and most interesting - stories start.And then we told a bunch of authors to make sure thier stories started with that very phraseGrab a pint of your favorite beverage and gather round. We've got two dozen stories here to horrify, amuse, and mystify, each with thier own illustration. Hard to believe, but no sh!t... there I was.
The Synchronized Society traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time. The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create “water cooler” moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use. Author Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.
This book offers international perspectives on the economic, social, geopolitical, and environmental implications of COVID-19 on tourism, an unprecedented situation for this sector. It considers the challenge of making the tourism industry more resilient to such crises and the future sustainability of tourism. Contributions explore the changing dimensions of tourism marketing post-COVID-19; the rising challenges in tourism education and ways to handle the crisis; the impact of the pandemic on tourism governance; and the emerging ethical issues of stakeholders’ responsibility. The book will be useful for researchers, students, and practitioners in the fields of tourism, geography, and crisis management disciplines.
We acknowledge the initiation and support of this Research Topic by the International Union of Immunological Societies (IUIS). We hereby state publicly that the IUIS has had no editorial input in articles included in this Research Topic, thus ensuring that all aspects of this Research Topic are evaluated objectively, unbiased by any specific policy or opinion of the IUIS.