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The House of Packer
'...a remarkable account of the Packer family...painstakingly researched...will enthral anyone with an interest in the media'. - Kate de Brito, The Daily Telegraph Australia's richest man, Kerry Packer, came to the helm of Australian Consolidated Press a quarter of a century ago; in recent years his son, James, has begun taking over the reins of the group. But despite the legendary reputation of Kerry Packer and his father Sir Frank, and the popular fascination with young James, the story of the creation of the family dynasty has never been told. This compelling book unravels, for the first time, Frank Packer's Machiavellian deals that resulted in the launch of the Australian Women's Weekly in 1933. From there it charts the production of the Daily and Sunday Telegraphs, the Nine network, the Bulletin and Cleo. The House of Packer moves seamlessly from the bohemia of the newsroom to the intrigue of the boardroom; from the rumbustious style of celebrated editors to the feudalism of Sir Frank; from the bitter condemnation of political enemies to at times bizarre territorial disputes with the Fairfax and Murdoch dynasties.
Australian Radio Listeners and Television Viewers
This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints files of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs.
Changing Stations
Following the development of the most pervasive medium in Australia, this is the first full-scale, national history of the country's commercial radio. From the experiments and schemes of the 1920s through the introduction of digital radio in 2009, this sweeping study moves from Sydney to Adelaide, Launceston to Cairns, Broken Hill to Albany. Exploring the varied programming genres of drama, music, quiz shows, sports, and politics, the in-depth research traces the engagement of commercial radio with various communities of Australian listeners. In addition, many of the iconic names of Australian radio are featured, including George Edwards, Grace Gibson, Jack Davey, Bob Dyer, Bob Rogers, Norman Banks, Andrea, Brian White, John Laws, and Alan Jones.
Sir Frank Packer
Legendary media baron Sir Frank Packer was pugnacious, autocratic and always controversial. After joining forces with Labor politician E.G. Theodore to establish Australian Consolidated Press and the Women's Weekly in the 1930s, his empire grew to encompass newspapers, magazines and the Nine television network.
Personality Presenters
Television presenters are key to the sociability of the medium, speaking directly to viewers as intermediaries between audiences and those who are interviewed, perform or compete on screen. As targets of both great affection and derision from viewers and the subjects of radio, internet, magazine and newspaper coverage, many have careers that have lasted almost as long as post-war television itself. Nevertheless, as a profession, television presenting has received little scholarly attention. Personality Presenters explores the role of the television presenter, analysing the distinct skills possessed by different categories of host and the expectations and difficulties that exist with regard t...
Murdoch's Flagship
Murdoch's Flagship provides the first in-depth overview of the Australian, mapping its uneven and uncharted progress across its first three decades. While the Fairfax and Packer media groups have received detailed historical coverage over the years, Rupert Murdoch's News Limited and the Australian have not been given the same systematic attention by historians. Denis Cryle draws on a vast amount of secondary print material, his own extensive interviews with past and present staff and a detailed reading of the Australian's newspaper files to capture the vitality of the newspaper over three seminal decades.
The Anachronistic Turn
The Anachronistic Turn: Historical Fiction, Drama, Film and Television is the first study to investigate the ways in which the creative use of anachronism in historical fictions can allow us to rethink the relationship between past and present. Through an examination of literary, cinematic, and popular texts and practices, this book investigates how twenty-first century historical fictions use creative anachronisms as a way of understanding modern issues and anxieties. Drawing together a wide range of texts across all forms of historical fiction - novels, dramas, musicals, films and television - this book re-frames anachronism not as an error, but as a deliberate strategy that emphasises the...
Memory, Place and Aboriginal-Settler History
Taking the absence of Aboriginal people in South Australian settler descendants’ historical consciousness as a starting point, 'Memory, Place and Aboriginal–Settler History' combines the methodologies and theories of historical enquiry, anthropology and memory studies to investigate the multitudinous and intertwined ways the colonial past is known, represented and made sense of by current generations. Informed by interviews and fieldwork conducted with settler and Aboriginal descendants, oral histories, site visits and personal experience, Skye Krichauff closely examines the diverse but interconnected processes through which the past is understood and narrated. 'Memory, Place and Aboriginal–Settler History' demonstrates how it is possible to unsettle settler descendants’ consciousness of the colonial past in ways that enable a tentative connection with Aboriginal people and their experiences.
The Men Who Killed the News
Crikey owner and ex-News Corp and Fairfax editor lifts the lid on the abuse of power by media moguls – from William Randolph Hearst to Elon Musk – and on his own unique experience of working for (and being sued by) the Murdochs. What’s gone wrong with our media? The answer: its owners. From William Randolph Hearst to Elon Musk, from the British press barons to colonial upstarts Conrad Black and Rupert Murdoch, media proprietors have manipulated the news to accumulate wealth and influence as they meddled with democracy. Eric Beecher knows the news business from bottom to top. He has been a journalist, editor and media proprietor (of Text Media and Crikey), with the rare distinction of h...
BEYOND THE PALE
In the second half of the 19th century Britain ruled the largest and most culturally diverse empire the world had ever seen, yet non-European faces were a rarity in all but the larger port cities. For the majority of Britons, the colonies were seen as distant and exotic outposts populated by natives who were frequently characterised as alien and uncivilised. Against this background, the arrival of a touring party of Australian Aborigines in 1868 caused something of a sensation. Initially viewed as a curiosity, they soon won the public over with their athleticism and demeanour. Over the following decades others followed in their footsteps; well off Parsee amateur enthusiasts in the 1880s, mix...
