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What would a history of New Zealand look like that rejected Thomas Carlyle’s definition of history as ‘the biography of great men’, and focused instead on the experiences of women? One that shifted the angle of vision and examined the stages of this country’s development from the points of view of wives, daughters, mothers, grandmothers, sisters, and aunts? That considered their lives as distinct from (though often unwillingly influenced by) those of history’s ‘great men’? In her ground-breaking History of New Zealand Women, Barbara Brookes provides just such a history. This is more than an account of women in New Zealand, from those who arrived on the first waka to the Grammy ...
In Heather McPherson's poetry the everyday is eroticised. The poems collected posthumously in I Do Not Cede are passionate odes to lesbian love, the body and the sensual. i Do Not Cede, a chapbook, offers a taste of poems to be included in Dirty Laundry: New and Selected Poems, a major collection of Heather's work, also edited by Emer Lyons and due 2024. Heather McPherson (1942-2017) was Aotearoa New Zealand's first out lesbian to publish a collection of poems, A Figurehead: A Face (Spiral 1982). She published three further collections in her lifetime and Spiral published This Joyous Chaotic Place: Garden Poems posthumously in 2018 and her work is widely anthologised, most recently in Manife...
This is an essay by Bridie Lonie, on "The Complete Entanglement of Everything" a multifaceted Art exhibition held at Dunedin School of Art, Otago Polytechnic in Dunedin, September 28th - October 2nd, 2020.
This selection of essays examines the future of art in a changing world. In particular, contributors discuss the agency of art in conditions of ecological threats to the natural world, to climate change and the effects of globalisation, neoliberal economics and mass tourism. Following the lead of Chicago-based Frances Whitehead, whose essay is a key text, some contributors take positions on working with local government agencies to embed art-thinking within development projects, going back to the art-thinking at the centre of Kazimir Malevich’s work in Vitebsk one hundred years ago in Russia. Other papers highlight small-scale art interventions that bring ecological issues to public notice and suggest positive responses, whilst others discuss large-scale problems brought about by the social, economic and laissez-faire history of the emerging Anthropocene with possible dystopic outcomes.
WORKING WITH PLANTS Please note: this EPub is optimized for viewing on Thorium Reader. Thorium Reader is the free EPUB reader of choice for Windows 10 and 11, MacOS and Linux. https://www.edrlab.org/software/thorium-reader In the mid 1990s, Lloyd Godman made the connection that the process of taking photographs with photographic film and growing plants was analogous - both use light and water - plants are in fact an abstract form of photography. In 1996 he began by growing simple images into the leaves of Bromeliad plants as a form of bio-imprinting, which in turn led to sophisticated interactive installations of tillandsia plants ( airplants ) in galleries and other spaces in New Zealand, A...
Art and Food is a collection of essays exploring a range of research topics relating to the representation of food in art and art in food, from iconography and allegory, through class and commensality, to kitchen architecture and haute cuisine.
A Companion to Contemporary Art in a Global Framework explores the ways specialists and institutions in the fine arts, curation, cultural studies, and art history have attempted to situate art in a more global framework since the 1980s. Offering analyses of the successes and setbacks of these efforts to globalize the art world, this innovative volume presents a new and exciting way of considering art in its global contexts. Essays by an international panel of leading scholars and practicing artists assert that what we talk about as ‘art’ is essentially a Western concept, thus any attempts at understanding art in a global framework require a revising of established conceptual definitions....
Keri Hulme (1947-2021) was the first novelist from Aotearoa New Zealand to win the Booker Prize, for the bone people, published by a Spiral collective. Keri Hulme: Our Kuru Pounamu is Spiral's celebration of Keri's life and work, with tributes, essays, poems, stories, interviews, ephemera, art works and photographs. This is the third edition. It includes two stories Keri wrote at secondary school — they cover themes continued in the bone people, which Keri started to write when she was 18. These come from Keri's family — her whānau was always at the centre of her life; from her tahu-tuhituhi, her beloved writing associates; and from her neighbours and friends. To include her in the kōr...
"132 short histories of organisations, grouped in thirteen sections"--Introduction.