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An unprecedented gathering of the correspondence of one of the great writers of the twentieth century, The collected letters of Flann O'Brien presents an intimate look into the life and thought of Brian O'Nolan, a prolific author of novels, stories, sketches, and journalism who famously wrote and presented works to the reading public under a variety of pseudonyms. Spanning the years 1934 to 1966, these compulsively readable letters show us O'Nolan, or O'Brien, or Myles na gCopaleen, or whatever his name may be, at his most cantankerous and unrestrained. -- Publisher description.
With the publication of The Third Policeman, Dalkey Archive Press now has all of O'Brien's fiction back in print.
"This is a significant book... for a multitude of audiences, including scholars, practitioners, students, expatriates, travelers, and those who are simply interested in culture... This book is also an ideal reference tool, since the metaphors are easy to remember yet rich in contextual value and are presented in a logical structure for quick consultation. Overall, this book is enormously appealing, genuinely useful, and a worthy addition to any collection." -Thunderbird International Business Review (2002) In Understanding Global Cultures, Fourth Edition, authors Martin J. Gannon and Rajnandini Pillai present the cultural metaphor as a method for understanding the cultural mindsets of indivi...
In Understanding Global Cultures, Fifth Edition, authors Martin J. Gannon and Rajnandini Pillai present the cultural metaphor—any activity, phenomenon, or institution with which the members of a given culture identify emotionally or cognitively—as a method for understanding the cultural mindsets of individual nations, clusters of nations, and even continents. The book shows how metaphors are guidelines to help outsiders quickly understand what members of a culture consider important. The fully updated Fifth Edition includes 31 nation-specific chapters, including a new Part XI on popular music as cultural metaphors, two completely new chapters on Vietnam and Argentina, revisions to all retained chapters, and a more explicit linkage between each cultural metaphor and current economic and business developments in each nation.
Journey Westward suggests that James Joyce was attracted to the west of Ireland as a place of authenticity and freedom. It examines how this acute sensibility is reflected in Dubliners via a series of coded nods and winks, posing new and revealing questions about one of the most enduring and resonant collections of short stories ever written. The answers are a fusion of history and literary criticism, utilizing close readings that balance the techniques of realism and symbolism. The result is a startlingly original study that opens up fresh ways of thinking about Joyce's masterpieces.
Neil Cornwell's study, while endeavouring to present an historical survey of absurdist literature and its forbears, does not aspire to being an exhaustive history of absurdism. Rather, it pauses on certain historical moments, artistic movements, literary figures and selected works, before moving on to discuss four key writers: Daniil Kharms, Franz Kafka, Samuel Beckett and Flann O'Brien. The absurd in literature will be of compelling interest to a considerable range of students of comparative, European (including Russian and Central European) and English literatures (British Isles and American) – as well as those more concerned with theatre studies, the avant-garde and the history of ideas (including humour theory). It should also have a wide appeal to the enthusiastic general reader.
Most Irish historians agree that the southern Irish economy performed very badly between 1920 and the early 1960s. This volume critically compares new data for a fresh perspective. While providing a comprehensive narrative for a specialist audience, it also addresses those aspects of the record that are of interest to general readers. 25 illustrations.