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Brigitte Baer
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Brigitte Baer
None
A Picasso Portfolio
Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.
Making Time
Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.
Picasso in the Metropolitan Museum of Art
This publication presents a comprehensive catalogue of the works by Pablo Picasso in the Metropolitan Museum. Comprising 34 paintings, 59 drawings, 12 sculptures and ceramics, and more than 400 prints, the collection reflects the full breadth of the artist's multi-sided genius as it asserted itself over the course of his long career.
Picasso the Engraver
An exhibition catalog that offers a history, inventory, and illustrations of Picasso's printing plates, done in lithography, linocut, etching, monotype, and drypoint
Picasso Flipbook
In 1931 while working in his sculpture studio in Boisgeloup, Picasso modelled in plaster four monumental heads of his young mistress Marie-Therese.
Trilogy about Several Urban View and Landscape Prints
Trilogy about Several Urban View and Landscape Prints presents three essays dedicated to the specific observation of prints, by great artists such as Canaletto, Goya, Hokusai and Picasso, whose main theme is the representation of outdoor space: landscapes and urban views. M. Rosa Vives studies the contextualisation of these prints and their creative and iconographic links with tradition, and with other artists and creative media. The works remind us that engraving has been, and continues to be, an artistic medium with its own language, a particular technology, and a sensorial form of expression and communication. They also recall how, before the advent of photography, engraving was a major force behind the spreading of images and culture.
