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Hoping to start afresh, Dr. Zachary Auckerman moves to a northern Canadian town in desperate need of a doctor. Within days of his arrival, he stumbles onto suspicious deaths and illegal activities at the nursing home, and encounters a fascinating female plumber with a spunky personality and six fingers on her left hand. After suffering an injury fixing a toilet tank, Willow Mitchell falls for the new doctor who stitched her hand and called her to thaw his frozen pipes. The murder of her mother, a woman who seduced and extorted men, prompts Willow to dig into her past and seek her father’s identity, but the secrets surrounding her birth are buried deep in old medical files and locked in the ravaged mind of her grandmother who lives at the nursing home. Amid rumors, lies, deceit, and betrayal, Willow and Zachary hunt for the truth, unleashing deadly events that threaten their lives. Can they trust their hearts, and each other, before one of them becomes the next victim?
This illustrated edition of The New Bath Guide by Christopher Anstey is based on the Second Issue of the First Edition which was published in 1766. It includes two major additions made by the author, the «Epilogue» and «A Charge to the Poets». It aims at widening the perspective on the eighteenth century by examining the work of a minor poet and challenges conventional assumptions about the scope of minor poetry. This series of satirical letters in verse written by the members of a provincial family staying in Georgian Bath provides an inexhaustible source of fun and has great sociological interest. Thanks to the individual and varied voices which are heard in this epistolary poem, a whole society in the making comes alive through the distorting mirror of satire. The introduction, notes and appendices throw new light on a once famous and provocative text and make extensive use of little-known material such as significant parts of the author's correspondence. They situate Anstey's work in its literary and historical contexts, by locating it at the junction of fiction and documentation, at a time of emergence, when new social codes were defined for a new society.
For more than thirty years Deirdre Le Faye, one of the world's leading authorities on Jane Austen, has been gathering and organising every single piece of information available about the Austen family before, during and after Jane's lifetime. Her unique chronology, containing some ten thousand entries, is now available in paperback. For the first time, those interested in Jane Austen can discover where she was and what she was doing at many precise moments of her life. The entries, many taken from hitherto unexplored and unpublished documents, are presented in a clear and readable form and each item of information is linked to its source. The volume includes family trees for the extended Austen and Knight families from the sixteenth to the twentieth centuries. This is a key work of reference that every scholar and reader of Austen will find fascinating and indispensable.
This is a companion to the best-selling book, Writing the Family Narrative. This fun workbook takes you step-by-step through the family history writing process, providing plenty of room for collecting data, brainstorming, trying out new writing techniques, and more! Examples from skilled writers like James Herriott, A.L. Rowse, Willa Cather, and John Egerton will assist you in the learning process. Explore how to organize your records before you even begin writing! Now you can produce a quality written family history that will be treasured forever! This workbook's companion, Writing the Family Narrative (ISBN #0916489272) offers a clear and concise explanation of how to write your history in a way that entertains as well as informs. This companion to the workbook teaches a process that is tailored not for the serious novel writer, biographer, or essayist, but for the serious genealogist who wants to record his or her family story. He uses solid examples from both amateur and professional writers, making it easy for you to learn the process. This workbook to Writing the Family Narrative is not complete without its companion book Writing the Family Narrative (ISBN #0916489272).
Summers at the Vauxhall pleasure garden in London brought diverse entertainments to a diverse public. Picturesque walks and arbors offered a pastoral retreat from the city, while at the same time the garden's attractions indulged distinctly urban tastes for fashion, novelty, and sociability. High- and low-born alike were free to walk the paths; the proximity to strangers and the danger of dark walks were as thrilling to visitors as the fountains and fireworks. Vauxhall was the venue that made the careers of composers, inspired novelists, and showcased the work of artists. Scoundrels, sudden downpours, and extortionate ham prices notwithstanding, Vauxhall became a must-see destination for bot...
Using Britannia as a central figure, this book explores the neglected relationship between women, church, and nation. Drawing on a wealth of manuscript, printed, and graphic material, Emma Major argues that Britannia became established as an emblem of nation from 1688 and gained in importance over the following century.
This book investigates the part that Anglicanism played in the lives of lay people in England and Wales between 1689 and 1750. It is concerned with what they did rather than what they believed, and explores their attitudes to clergy, religious activities, personal morality and charitable giving. Using diaries, letters, account books, newspapers and popular publications and parish and diocesan records, Dr Jacob demonstrates that Anglicanism held the allegiance of a significant proportion of all people. They took the lead in managing the affairs of the parishes, which were the major focus of communal and social life, and supported the spiritual and moral discipline of the church courts. He shows that early eighteenth-century England and Wales remained a largely traditional society and that Methodism emerged from a strong church, which was central to the lives of most people.
Before the foundation of academies of art in London in 1758 and Philadelphia in 1805, most individuals who were to emerge as artists trained in workshops of varying degrees of relevance. Easel painters began their careers apprenticed to carriage, house, sign or ship painters, whilst a few were placed with those who made pictures. Sculptors emerged from a training as ornamental plasterers or carvers. Of the many other trades in a position to offer an appropriate background were ‘limning’, staining, engraving, surveying, chasing and die-sinking. In addition, plumbers gained the right to use oil painting and, for plasterers, the application of distemper was an extension of their trade. Cent...
From the Iron Age to the Industrial Revolution, the Romans to the Regency, few things have mirrored society or been affected by its upheavals as much as the food we eat and the way we prepare it. In this involving history of the British people, Kate Colquhoun celebrates every aspect of our cuisine from Anglo-Saxon feasts and Tudor banquets, through the skinning of eels and the invention of ice cream, to Dickensian dinner-party excess and the growth of frozen food. Taste tells a story as rich and diverse as a five-course dinner.
A new collection of essays which challenges many existing assumptions, particularly the conventional models of separate spheres and economic change. All the essays are specifically written for a student market, making detailed research accessible to a wide readership and the opening chapter provides a comprehensive overview of the subject describing the development of gender history as a whole and the study of eighteenth-century England. This is an exciting collection which is a major revision of the subject.