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Examines the political worldview of courtly and royal women in India during the late colonial and post-Independence period. This book offers a history of the zenana, which served as the 'women's courts' or 'female quarters of the palace', where women lived behind pardah in seclusion.
Self-portrayal has become an integral part of modern culture and India equally shares this universal mood. A large number of Indians have committed themselves to the writing of their autobiographies in English as well as in the regional languages. It is exciting to know that those in English have been produced by some of the finest minds of the country, such as Raja Rammohun Roy, Lal Behari Day, Surendra Nath Banerjea, Bipin Chandra Pal, Lala Lajpat Rai, Mahatma Gandhi, Rabindranath Tagore, Jawaharlal Nehru, Subhash Chandra Bose, P.C. Roy, S. Radhakrishnan, Sachchidanand Sinha and Nirad C. Chaudhury. It is highly fascinating to read their testimony in the shaping of modern Indian history. Ev...
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Covers Afghanistan, Bangladesh, Bhutan, India, Nepal, Pakistan, Sikkim, and Sri Lanka.
Although the princes of India have been caricatured as oriental despots and British stooges, Barbara Ramusack's study argues that the British did not create the princes. On the contrary, many were consummate politicians who exercised considerable degrees of autonomy until the disintegration of the princely states after independence. Ramusack's synthesis has a broad temporal span, tracing the evolution of the Indian kings from their pre-colonial origins to their roles as clients in the British colonial system. The book breaks ground in its integration of political and economic developments in the major princely states with the shifting relationships between the princes and the British. It represents a major contribution, both to British imperial history in its analysis of the theory and practice of indirect rule, and to modern South Asian history, as a portrait of the princes as politicians and patrons of the arts.
Drawing on comparative literary studies, postcolonial book history, and multiple, literary, and alternative modernities, this collection approaches the study of alternative literary modernities from the perspective ofcomparative print culture. The term comparative print culture designates a wide range of scholarly practices that discover, examine, document, and/or historicize various printed materials and their reproduction, circulation, and uses across genres, languages, media, and technologies, all within a comparative orientation. This book explores alternative literary modernities mostly by highlighting the distinct ways in which literary and cultural print modernities outside Europe evince the repurposing of European systems and cultures of print and further deconstruct their perceived universality.
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The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 245 photographs and illustrations - mostly color. Free of charge in digital format on Google Books