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Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.
Are you prepared to enter acclaimed author Hal Duncan's world of scruffians and scamps and sodomites? Beware, for it is filled with the gay pirate gods of Love and Death, immortal scoundrels, and young men who find themselves forced to become villains. But who amongst us does not adore a gamin antihero? These fantastical tales from the fringes of an imaginative realm of supernatural fairies and human fey will captivate the reader. Light a smoke, raise a cup of whiskey, and seek a careful spot to cruise the Scruffians!
In this, the second release in the annual Heiresses of Russ series, Lambda Literary Award winning editor Connie Wilkins joins Steve Berman in choosing the best of the prior year's published speculative fiction with lesbian themes. An unexplained astronomical phenomenon brings a woman and her grandfather closer while she questions the meaning of faith. African villagers are sent automatons rather than human relief workers. Mermaids devour men drawn by their song but what will happen to a steampunk submersible piloted by a woman? Two teenage girls discover that memories are held in the fine aromas of perfumes. A family of sisters in Mexico discover a fallen angel. These are tales of the strange, the wondrous, the eerie but all are richly told stories of women facing the unknown and how they are changed by the experience.
The 2013 edition of the annual series showcasing the best tales of lesbian-themes fantasy, science-fiction, and the weird, includes such acclaimed authors as Jewelle Gomez, Nisi Shawl, Carrie Vaughn, and Brit Mandelo. The editors have ensured that a variety of voices and styles present imaginative fiction encompassing the love between women.
The January/February 2016 issue of Uncanny Magazine. Featuring new fiction by Maria Dahvana Headley, Nghi Vo, Christopher Barzak, Brit Mandelo, and Rose Lemberg, classic fiction by Sarah Rees Brennan, essays by Chris Kluwe, Max Gladstone, Isabel Schechter, and L.M. Myles, poetry by Kayla Whaley, Leslie J. Anderson, and Bryan Thao Worra, interviews with Maria Dahvana Headley and Christopher Barzak by Deborah Stanish, a cover by Priscilla H. Kim, and an editoral by Lynne M. Thomas and Michael Damian Thomas.
In celebration of the 100th anniversary of Alice Sheldon’s birth, and in recognition of the enormous influence of both Tiptree and Sheldon on the field, Twelfth Planet Press is publishing a selection of thoughtful letters written by science fiction and fantasy’s writers, editors, critics and fans to celebrate her, to recognise her work, and maybe in some cases to finish conversations set aside nearly thirty years ago.
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Home, we are taught from childhood, is safe. Home is a refuge that keeps the monsters out--until it isn't. This collection of new essays focuses on genre horror movies in which the home is central to the narrative, whether as refuge, prison, menace or supernatural battleground. The contributors explore the shifting role of the home as both a source and a mitigator of the terrors of this world, and the next. Well known films are covered--including Psycho, Get Out, Insidious: The Last Key and Winchester House--along with films produced outside the U.S. by directors such as Alejandro Amenabar (The Others), Hideo Nakata (Ringu) and Guillermo Del Toro (The Orphanage), and often overlooked classics like Alfred Hitchcock's The Lodger.
These teenage boys and girls need not fear that their love has no worth, because Steve Berman has written for them princesses who love maidens and adorkable students who have wondrous and smart boyfriends.