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Contemporary British Ceramics
Ceramics is one of the most vibrant and engaging fields of contemporary British art. This lavishly illustrated book reviews the work of twenty-two artists and celebrates their contribution to its rich landscape. Written from a collector's point of view, it explores what contemporary ceramic objects can mean, what emotions they evoke and how artists draw upon different facets of the art and crafts worlds in their work. A vital visual and critical resource, Contemporary British Ceramics showcases British ceramics as a compelling interdisciplinary practice, attuned to the contemporary world. Featuring more than 280 images, it encourages readers to look beneath the surface, to discover the vibrant contribution that British ceramics makes to the broad field of contemporary art.
Friendship Forged in Fire: British Ceramics in America
The essays in this book look at the development of British Ceramics and their collection by American collectors. The historic 'special relationship' between Great Britain and the United States spans decades and is deeply valued on both sides of the 'pond.' Emerging from the alliances forged in the world wars in the first half of 20th century, both British and American societies have benefited from the infusion of each other's cultural contributions. Ceramics and ceramic collecting has been no different in this regard. The British ceramic art displayed in this book is largely loaned from the private collections of California connoisseurs. These treasured artifacts testify to the regard and appreciation that American collectors hold for British ceramics. This catalog accompanies the 2013 exhibition by the same name at the American Museum of Ceramic Art in Pomona, CA.
Contemporary British Ceramics and the Influence of Sculpture
This book investigates how British contemporary artists who work with clay have managed, in the space of a single generation, to take ceramics from niche-interest craft to the pristine territories of the contemporary art gallery. This development has been accompanied (and perhaps propelled) by the kind of critical discussion usually reserved for the 'higher' discipline of sculpture. Ceramics is now encountering and colliding with sculpture, both formally and intellectually. Laura Gray examines what this means for the old hierarchies between art and craft, the identity of the potter, and the character of a discipline tied to a specific material but wanting to participate in critical discussions that extend far beyond clay.
British Ceramics
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New Handbook of British Pottery & Porcelain Marks
Geoffrey Godden's HANDBOOK is the standard pocket reference for amateur and professionals alike, an invaluable aid for anyone who needs an authoritative identification guide to British ceramics. Continuously in print for thirty years, it has now been thoroughly revised, updated and extended in the light of the latest research on the historic porcelain manufacturers and potters. The main section lists the principal firms arranged alphabetically, shows the marks used by that firm, and gives its address, working period and the dates when the mark was used. The aim is to provide all the pre-1900 marks that the dealer or collector is likely to come across. in addition, the book records over 700 combinations of initials known to have been used as identifying signs by the potters listed, with their working periods, and full details of over 900 Staffordshire potters. A new listing of pattern and shape registrations, from 1842 to 1883, has been added, together with guidance on further reading and on the collectability of the main types. 'An amazing achievement in clear compression. ' - Collectors Guide
British Studio Ceramics
This detailed and comprehensive survey charts the entire history of British studio ceramics from the emergence of modern ceramics from the Victorian factories around 1900 to the wide variety of extraordinary work being produced today. All the best-known potters such as Leach, Hamada, Cardew, Rie, and Coper are examined in depth in terms of their different areas of interest and influence. An extensive appendix gives information on 200 leading makers with their identifying marks and cross-references with a list of museums where their work can be seen. Lavishly illustrated throughout with some 250 color photographs, this is a book for the collector needing in-depth information or for those who just want an introduction to this important and beautiful work.
British Ceramics 1675-1825
A major new illustrated catalogue showcasing one of the most comprehensive, and largest, collections of British Ceramics in the world.
British Ceramics, 1675-1825
Heavily illustrated catalogue of The Mint Museum's collection of British ceramics dating from 1675 to 1825 with notable essays from experts in the field
Transactions and Journal of the British Ceramic Society
Vols. for 1971-74, include a separate section with title: British ceramic abstracts, prepared by the British Ceramic Research Association, also issued separately.
