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A landmark survey of the formative years of American studio ceramics and the constellation of people, institutions, and events that propelled it from craft to fine art
A comprehensive and lavishly illustrated monograph of one of the most important American ceramic artists
A fascinating exploration of the rich artistic heritage and beauty of Casas Grandes ceramics
The essays in this book look at the development of British Ceramics and their collection by American collectors. The historic 'special relationship' between Great Britain and the United States spans decades and is deeply valued on both sides of the 'pond.' Emerging from the alliances forged in the world wars in the first half of 20th century, both British and American societies have benefited from the infusion of each other's cultural contributions. Ceramics and ceramic collecting has been no different in this regard. The British ceramic art displayed in this book is largely loaned from the private collections of California connoisseurs. These treasured artifacts testify to the regard and appreciation that American collectors hold for British ceramics. This catalog accompanies the 2013 exhibition by the same name at the American Museum of Ceramic Art in Pomona, CA.
"A broad survey of more than fifty ceramic artists who worked in the Los Angeles area in the decades following World War II, Common ground, as a book and exhibition, celebrates the art that is central to the mission of the American Museum of Ceramic Art in Pomona, CA. The artists selected for Common ground all had a direct connection to Millard Sheets, an artist, art educators, arts administrator, and designer, whose activities and ideology had an enormous impact on Southern California in the middle of the twentieth century. The essays take different perspectives on the region's dynamics, together presenting an in-depth analysis of the complex and diverse factors that created a fertile ground for ceramics."--Dust jacket flap.
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
Since it was first published in 2006, Riches, Rivals and Radicals has been the go-to text for introductory museum studies courses. It is also of great value to professionals as well as museum lovers who want to learn the stories behind how and why these institutions have evolved since the day the first mastodon bones, royal portraits and botanical specimens entered their halls. For this third edition, Marjorie Schwarzer has mined new resources, previously unavailable archives and contemporary trends to provide a fresh look at the challenges and innovations that have shaped museums in the United States. Schwarzer argues that museums are fundamentally optimistic institutions. They build and pr...
When Jinyi and her family discover a soybean field, they begin a tradition that becomes a staple of the Chinese American community in the Midwest.
Mastering Hand Building teaches everything you need to know about building with clay by hand, from the basics of coils and slabs through more complex form design.