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Art Without Frontiers
What is the value of the visual arts in international cultural exchange? What do exhibitions of wok by leading British artists communicate as they travel overseas? For more than eight decades, the British Council has sent British art abroad as ambitious acts of cultural dialogue with over a hundred countries, from Afghanistan to Zambia. Along the way it has amassed a distinctive and unique national art collection, comprising over 8500 pieces, ranging from painting, print and sculpture to film works, photography and craft by some of the most significant artistic talents of the 20th and 21st centuries. It continues to acquire new art by emerging practitioners and to operate in new geographical...
Folk Archive
"This is a book about the creative life of Britain and the first attempt since the Festival of Britain to document the popular and folk art of the present day"--http://www.bookworks.org.uk/asp/detail.asp?uid=book_E46009BD-166D-4E0C-9F38-AD0303E0474E&sub=new.
Vilnius Poker
four different perspectives, and it captures the surreal horror of life under the Soviet yoke." --Book Jacket.
Caribbean Art
Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.
The Creative Economy
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Unlawful Assembly
Devised as a way to indulge in their interest in literature and explore the parallels between systematic painting and formulaic writing, the artists Lucy McKenzie and Alan Michael present their collection of crime stories Unlawful Assembly.First published in private limited edition it was intended as a cheap holiday read to titillate and entertain summer visitors to the Mediterranean island of Stromboli, and as a piece of site-specific work; the location of the action and the place in which it is read being the same.The Unlawful Assembly cast of characters are united by narcissism, ineffectuality and paranoia, and like fast food's ratio of fat, salt and sugar to protein, these stories confront pathology in a similarly consumable (and cynical) package of calibrated sex, violence and humour.Lucy McKenzie and Alan Michael have familiarised themselves with the methodologies of illusionistic painting, trompe l'oeil and photorealism respectively. The visual art subsequently generated by Unlawful Assembly includes work by Josephine Pryde, with whom the artists collaborated to produce this second edition's cover image.
