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Following the 1994 conference Restoration - Is it acceptable? , the 1999 British Museum conference focused on the reversibility of the main processes of conservation: cleaning, stabilising, repair amd restoration. Twenty-seven papers discuss many different aspects of the argument, in both theory and practice, and with regard to different media and object types.
Twenty-nine papers which aim to pool the insights provided by research carried out by conservation scientists in order to improve conservation techniques in museums. Papers include: The impact of conservation science in the British Museum ( Susan Bradley ); The development of conservation science at the Tate Gallery ( Stephen Hackney ); The significance of physics in conservation research and education ( Raik Jarjis ); Botanical and ethnobotanical knowledge and the conservation of artefacts ( Mark Sandy ); Lasers in art conservation ( Costas Fotakis et al. ); The cleaning of coin hoards: the benefits of a collaborative approach ( David Thickett and Celestine Enderly ); Can scientists and conservators work together? ( Ellen Ruth McCrady ).
Twelve papers by leading international scholars on the theme of the cultural, regional and personal identity of the Etruscans. The volume celebrates the originality of the Etruscan character manifest in its richly varied workshop production, and examines some unusual objects and buildings, considering what they tell us of Etruscan life, belief and influences. On a personal note, it considers how the Etruscans themselves wished to be identified and remembered. Two contrasting papers discuss attitudes to the Etruscans in the 18th century and the latest evidence for their origins using DNA studies. The papers were originally presented at a conference in 2006, celebrating the work of the renowned Etruscologist, Sybille Haynes.
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photo...
A key publication on the British Museum's approach to the ethical issues surrounding the inclusion of human remains in museum collections and possible solutions to the dilemmas relating to their curation, storage, access management and display.
A collection of 15 wide-ranging papers on Egyptology brought together in honour of Harry James' 75 birthday (now retired Keeper of Egyptian Antiquities). Contents: Badari Grave Group 569 (Reneé Friedman); Observations on some Egyptian sarcophagi in the British Museum (A J Spencer); Both mummies as Bakshish (Joyce M Filer); Djehutyhotep's Colossus inscription (W V Davies); Painted relief from El-Bersheh (Andrew Middleton); Three Stelophorous statuettes (Hassan Selim); Two or three literary artefacts (R B Parkinson); Burial assemblage of Henutmehyt (John H Taylor); New light on Egyptian prosthetic medicine (Nicholas Reeves); The boar, the ram-headed crocodile and the lunar fly (Carol Andrews); The last books of the dead? (Stephen Quirke); Oceanus in porphyry (Donald M Bailey); Saqadi (Derek Welsby); The Acquisition by the British Museum of antiquitites discovered during the French invasion of Egypt (M L Bierbrier); Not the travel journal of Alessandro Ricci (Patrick Usick).
This paper contains transcriptions of chapter 180 from the Book of the Dead, and a brief discussion of the sources. Chapter 180 occurs twice in the Nebseni Papyrus, in both cases copied backwards from the master copy, and both are published here. The paper also collects together other known New Kingdom versions of chapter 180, and places the texts in parallel to each other.
A provocative contribution to the current debate on museums, this collection of essays contains contributions from France, Britain, Australia, the USA and Canada.