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Film and Television in Education
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
University Vision
None
Film in Higher Education and Research
Film in Higher Education and Research
Moving Image Knowledge and Access
The fourth edition of the British Universities Film & Video Council's Handbook provides an invaluable guide to teachers, librarians, producers, researchers, e-learning specialists and everyone who uses audio-visual media in higher and further education. The handbook includes a directory of organizations and resources associated with education, film and video and the media, feature articles on issues such as online delivery of moving images and copyright, and a host of useful information on film and video formats, digital media, media legislation and much more.
British art cinema
This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.
British Rural Landscapes on Film
Offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century.
The First True Hitchcock
"Alfred Hitchcock called The Lodger "the first true Hitchcock movie",the one that anticipated all the others. And yet the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and release in 1927, presenting a new picture of this pivotal year in Hitchcock's life and in the wider film word. Using fresh archival discoveries, Henry K. Miller situates Hitchcock's formation as a director against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, and its most visible export-film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock."
Shakespeare on Film, Television and Radio
Everything about the how as well as the why of studying audiovisual Shakespeare is provided here, from silent cinema to the multiplex, and from cat's whiskers to Youtube.
The British Film Institute, the Government and Film Culture, 1933-2000
The British Film Institute (BFI) is one of the UK's oldest and most important government-supported cultural institutions. From a modest start in the 1930s it grew rapidly after the war to encompass every kind of film-related activity from production to archiving to exhibition to education. At the beginning of the twenty-first century its turnover was approaching £30m and it had become a central point of reference for anyone whose interest in film stretched beyond what's on at the local multiplex. There was nothing straightforward about this rise to prominence. It was achieved in the face of government indifference, active obstruction from the film trade, internecine warfare within the organisation and fierce contestation on the part of the BFI's own core public. Based on intensive original research in the BFI's own voluminous archives and elsewhere, this book examines the interplay of external and internal forces that led to the BFI's unique development as a multi-faceted public body.
