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Biography of Briton Hadden, the co-founder of Time magazine and one of the most influential journalists of the twenties.
Friends, collaborators, and childhood rivals, Briton Hadden and Henry R. Luce were not yet twenty-five when they started Time, the first newsmagazine, at the outset of the Roaring Twenties. By age thirty, they were both millionaires, having laid the foundation for a media empire. But their partnership was explosive and their competition ferocious, fueled by envy as well as love. When Hadden died at the age of thirty-one, Luce began to meticulously bury the legacy of the giant he was never able to best. In this groundbreaking, stylish, and passionate biography, Isaiah Wilner paints a fascinating portrait of Briton Hadden—genius and visionary—and presents the first full account of the birth of Time, while offering a provocative reappraisal of Henry R. Luce, arguably the most significant media figure of the twentieth century. Isaiah Wilner is a writer for New York magazine. He attended Yale University and was editor in chief of the Yale Daily News. He lives in Brooklyn, New York.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
In 60 essays, this volume profiles American journalists from colonial times to the present--reporters, editors, publishers, photographers, and broadcasters--whose careers reflected major developments in their profession and in the history of the United States. In a speech to Newsweek correspondents in 1963, publisher Philip Graham described journalism as "the first rough draft of history." These journalists confronted and helped to shape the discussion of major issues and events in American history, from the American revolution through abolition, westward expansion, the Civil War, the civil rights movement, immigration, and the women's movement, as well as major constitutional issues involvi...
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Photos filled with the forlorn faces of hungry and impoverished Americans that came to characterize the desolation of the Great Depression are among the best known artworks of the twentieth century. Captured by the camera's eye, these stark depictions of suffering became iconic markers of a formative period in U.S. history. Although there has been an ample amount of critical inquiry on Depression-era photographs, the bulk of scholarship treats them as isolated art objects. And yet they were often joined together with evocative writing in a genre that flourished amid the period, the documentary book. American Modernism and Depression Documentary looks at the tradition of the hybrid, verbal-vi...
This volume presents in compact form main persons and press organs in the history of the American media system, described by Pulitzer Prize Winners. There are personality profiles of press tycoons like Joseph Pulitzer, William Randolph Hearst and Henry Luce as key figures. There are other press founders like Alexander Hamilton, creator of the `New York Evening Post', or Henry Raymond who established the `New York Times'. There also are sketches about originally bankrupt newspapers sold at auctions and became successful under new publishers, like the `New York World' or the `Washington Post'. Other chapters cover high-circulation publications as exemplified by the `Ladies' Home Journal' or `Time' magazine. In addition, several early stages of news distribution in the United States are told as well as basic press philosophies by starjournalists like Walter Lippmann. Heinz-Dietrich Fischer, EdD, PhD, is Professor Emeritus at the Ruhr-University of Bochum, Germany.
Crikey owner and ex-News Corp and Fairfax editor lifts the lid on the abuse of power by media moguls – from William Randolph Hearst to Elon Musk – and on his own unique experience of working for (and being sued by) the Murdochs. What’s gone wrong with our media? The answer: its owners. From William Randolph Hearst to Elon Musk, from the British press barons to colonial upstarts Conrad Black and Rupert Murdoch, media proprietors have manipulated the news to accumulate wealth and influence as they meddled with democracy. Eric Beecher knows the news business from bottom to top. He has been a journalist, editor and media proprietor (of Text Media and Crikey), with the rare distinction of h...
A Lifetime Of News chronicles Robert L. Kroons wartime years in Holland under German occupation and his life as a foreign correspondent, radio and TV journalist that took him from Europe to East Timor and Easter Island and dozens of other countries in between. It looks back on some of the peoplesome famous, some eccentric, some admirable and others less sothat he interviewed in the course of his career, including the Shah of Iran, Peter Ustinov and Frank Sinatra. In his introduction, Bob Kroon explains that this book is the offshoot of ten years of current affairs lectures aboard international cruise ships, where he discovered that specific anecdotes illuminating the people and places he covered in his 50 years as a roving correspondent would keep the audience awake, while analytical ponderings about the state of the world had many passengers nodding off. After these lectures, people often asked him where his book was. So Bob Kroon decided to share some of the more memorable episodes with a larger audience, focusing on the humanity of people who crossed his path. A Lifetime Of News is a selective, personal chronicle of events and people that shaped his life and career.
The Interwar World collects an international group of over 50 contributors to discuss, analyze, and interpret this crucial period in twentieth-century history. A comprehensive understanding of the interwar era has been limited by Euro-American approaches and strict adherence to the temporal limits of the world wars. The volume’s contributors challenge the era’s accepted temporal and geographic framings by privileging global processes and interactions. Each contribution takes a global, thematic approach, integrating world regions into a shared narrative. Three central questions frame the chapters. First, when was the interwar? Viewed globally, the years 1918 and 1939 are arbitrary limits,...