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Set against the dramatic scenery of the Himalaya, this beguiling memoir reveals hardships and happiness in a land almost untouched by the West.
Often seen as a magical paradise at the end of the world, Bhutan is inaccessible to most travellers. Set against the dramatic scenery of the Himalaya, this beguiling memoir recalls hardships and happiness in a land almost untouched by the West. When Britta Das goes to work as a physiotherapist in a remote village hospital, her good intentions are put to the test amid monsoons, fleas, and startling conditions. But as she visits homes in the mountains and learns the mysteries of Tantric Buddhism, the country captivates her very soul. Gaining insights into the traditions of the mystical kingdom, Britta makes friends, falls in love, and battles illness. Throughout it all, as she writes, she worries about the "destructive nearness of technology" and fears that Bhutan's charm and innocence may soon be lost. Still, Bhutan has endured for centuries, and there is no denying that the country has transformed her life forever.
Beautiful, whimsical, and entertaining, this book of illustrations by Britta Teckentrup shows eggs in all their fragility, complexity, and variety. Is there anything as simple as an egg? Is there anything as complex? In this gorgeous picture book, Britta Teckentrup portrays eggs through the eyes of an artist. From hummingbirds to the extinct elephant bird, illustrations of the avian world’s smallest and largest eggs demonstrate the variety present in nature. Pastel studies explore the rainbow of soft colors and intricate patterns that make eggs of common birds seem incredibly striking. In Teckentrup’s hands, a scattering of broken egg shells become abstract art; a nest of unhatched eggs suggest the possibility and promise of life. Her studies of songbirds and nests are themselves beautifully composed works of color and line. A lovely meditation on the diversity of eggs, this magnificent book offers hours of lingering pleasure, and becomes fertile ground for conversation and imagination.
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The Maimonides Review of Philosophy and Religion is an annual collection of double-blind peer-reviewed articles that seeks to provide a broad international arena for an intellectual exchange of ideas between the disciplines of philosophy, theology, religion, cultural history, and literature and to showcase their multifarious junctures within the framework of Jewish studies. Contributions to the Review place special thematic emphasis on scepticism within Jewish thought and its links to other religious traditions and secular worldviews. The Review is interested in the tension at the heart of matters of reason and faith, rationalism and mysticism, theory and practice, narrativity and normativity, doubt and dogma. This volume features contributions by Reimund Leicht, Gitit Holzman, Jonathan Garb, Anna Lissa, Gianni Paganini, Adi Louria Hayon, Mark Marion Gondelman, and Jürgen Sarnowsky. This volume features contributions by Jeremy Phillip Brown, Libera Pisano, Jeffrey G. Amshalem, Maria Vittoria Comacchi, Jonatan Meir, Rebecca Kneller-Rowe, Isaac Slater, Michela Torbidoni, Guido Bartolucci, and Tamir Karkason.
The German language, due to its verb-final nature, relatively free order of constituents and morphological Case system, poses challenges for models of human syntactic processing which have mainly been developed on the basis of head-initial languages with little or no morphological Case. The verb-final order means that the parser has to make predictions about the input before receiving the verb. What are these predictions? What happens when the predictions turn out to be wrong? Furthermore, the German morphological Case system contains ambiguities. How are these ambiguities resolved under the normal time pressure in comprehension? Based on theoretical as well as experimental work, the present monograph develops a detailed account of the processing steps that underly language comprehension. At its core is a model of linking noun phrases to arguments of the verb in the developing phrase structure and checking the result with respect to features such as person, number and Case. This volume contains detailed introductions to human syntactic processing as well as to German syntax which will be helpful especially for readers less familiar with psycholinguistics and with Germanic.
It is well-known that contact between speakers of different languages or varieties leads to dynamics in many respects. From a grammatical perspective, especially contact between closely related languages/varieties fosters contact-induced innovations. The evaluation of such innovations reveals speakers’ attitudes and is in turn an important aspect of the sociolinguistic dynamics linked to language contact. In this volume, we assemble studies on such settings where typologically congruent languages are in contact, i.e. language contact within the Germanic branch of the Indo-European language family. Languages involved include Afrikaans, Danish, English, Frisian, (Low and High) German, and Yi...
In 1984 Joseph Beuys assembled his monumental The End of the 20th Century in Haus der Kunst in Munich: 44 basalt blocks with conical sections drilled out of them, the resulting "stoppers" slotted back into place using a bed of felt and clay. He arranged the blocks to create an animated vibrant formation that charged the entire room with meaning. The relocation of the work to the new Munich Pinakothek der Moderne set an almost impossible challenge for conservators, not least owing to the fiery debate whether an aeuvre an artist had himself laid out could be touched in the first place. But in the end, they succeeded: a key late 20th-century artwork was given a new location and none of its suggestive powers had been forfeited in the process.