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Where is God in the Megilloth?
In Where is God in the Megilloth? Brittany N. Melton constructs a dialogue among Ruth, Esther, Lamentations, Ecclesiastes, and Song of Songs centred on this question, in an effort to settle the debate about whether God is present or absent in these books. Their juxtaposition in the Hebrew Bible highlights their shared theme of apparent divine absence, but, paradoxically, traces of God’s presence are unearthed as well. By examining various aspects of this theme, including the literary absence of God, divine abandonment, God-talk, allusive language, God’s providence, and divine silence, it becomes clear that the ambiguity of divine presence and absence in the Megilloth presents a significant challenge to current conceptualizations of divine presence and absence in the Hebrew Bible.
Studies on the Language and Literature of the Bible
John Emerton was Regius Professor of Hebrew at Cambridge University from 1968 to 1995 and is a former Editor of Vetus Testamentum and its Supplements (1975-97). His work is characterised by profound learning and rigorous argument. He published detailed articles on a wide range of subjects, not only on the Hebrew language but also on Biblical texts, Semitic philology and epigraphy, Pentateuchal criticism and other central issues in Biblical scholarship, and biographical essays on some modern scholars. The forty-eight essays in this volume have been selected to provide both an overview of Emerton’s influential work in all these fields and easier access to some items which are no longer readily available.
Ecclesiastes
Ecclesiastes is the most surprising book in the Scriptures. It challenges its readers to reconsider what they think life is about and how far it is possible to understand God's involvement in the world. This commentary seeks to help people enter the world of Ecclesiastes and see how it can increase their understanding of God and of themselves.
The Oxford Handbook of Postcolonial Biblical Criticism
The Oxford Handbook of Postcolonial Biblical Criticism is a comprehensive treatment of a relatively new form of scholarship-one of the most compelling and contested theories to emerge in recent times, and a topic that actively seeks to expand the ways in which the Bible can be studied, interpreted, and applied. Generally speaking, postcolonialism aims to critique and dismantle hegemonic worldviews and power structures, while giving voice to previously marginalized peoples and systems of thought. This approach, often varied in form, has inevitably engaged with the text and reception of the Bible, a scripture that Western colonizers introduced to-and often imposed upon-their colonial subjects. With a globally diverse list of contributors, the Handbook aims to cover the perspective and context of the authors of the Bible, as well as the modern experiences of imperialism, resistance, decolonization, and nationalism. Moreover, the volume includes both a theoretical overview and an exploration of how the field intersects with related areas, such as gender studies, race, postmodernism, and liberation theology.
The Oxford Handbook of Isaiah
The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, as well as offers up-to-date information in an attractive and easily accessible format, accompanied by comprehensive recommendations for further reading.
The Solomonic Corpus of 'Wisdom' and Its Influence
Solomon is the figurehead who holds the family of 'wisdom' texts together. Intertextuality places fresh texts alongside the Solomonic corpus to show how Solomon is the lynch-pin that holds 'wisdom' in its core texts and wider influence together.
Theologies of Human Agency
This book examines the relationship between divine in/activity and human agency in the five books of the Megilloth—the books of Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther. As works of literature dating to the early Second Temple period (ca. 6th–3rd centuries BCE), these books and the implicit interpretation of these particular themes reflect the diverse cultural and theological dynamics of the time. Megan Fullerton Strollo contends that the themes themselves as well as the correlation between them should be interpreted as implicit theology insofar as they represent reflective interpretation of earlier theological traditions. With regard to divine in/activity, she argues ...
Esther against Joseph’s Backdrop
An examination of MT Esther’s relationship to the Joseph story, this study employs recent advances in author-oriented biblical intertextuality to address the debate concerning the religious purpose of the Scroll. While previous scholarship has seen Esther’s divine silence indicating God’s hidden hand, the characters’ or readers’ quiet faiths, or the secular concerns of an ancient Jewish nationalism, key aspects of Esther’s allusive character illustrate how the book purposefully constructs a theology of divine absence. As good-looking Israelites continue to rise in foreign courts to deliver themselves and their people from imminent dangers, the patterns God initiated in the Egypti...
Conspicuous in His Absence
In the biblical canon, two books lack any explicit reference to the name of God: Song of Songs and Esther. What is the nature of God as revealed in texts that don't use his name? Exploring the often overlooked theological connections between these two Old Testament books, Chloe T. Sun takes on the challenges of God's absence and explores how we think of God when he is perceived to be silent.
Judges 19-21 and Ruth
Judges 19–21 is filled with sexual violence, silent victims, and the lack of an ethical response. Utilizing a Bakhtinian-canonical perspective, this book seeks alternative canonical voices of answerability and non-violence through dialogue with the book of Ruth.
