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A gorgeous alphabet book which highlights the natural beauty of the Gulf Islands. Inviting language and compelling illustrations takes children and adults alike on an island-hopping journey through this south-western corner of British Columbia, Canada.
In response to the growing scale and complexity of environmental threats, this volume collects articles, essays, personal narratives, and poems by more than forty authors in conversation about “thinking continental”—connecting local and personal landscapes to universal systems and processes—to articulate the concept of a global or planetary citizenship. Reckoning with the larger matrix of biome, region, continent, hemisphere, ocean, and planet has become necessary as environmental challenges require the insights not only of scientists but also of poets, humanists, and social scientists. Thinking Continental braids together abstract approaches with strands of more-personal narrative and poetry, showing how our imaginations can encompass the planetary while also being true to our own concrete life experiences in the here and now.
This book addresses theatre’s contribution to the way we think about ecology, our relationship to the environment, and what it means to be human in the context of climate change. It offers a detailed study of the ways in which contemporary performance has critiqued and re-imagined everyday ecological relationships, in more just and equitable ways. The broad spectrum of ecologically-oriented theatre and performance included here, largely from the UK, US, Canada, Europe, and Mexico, have problematised, reframed, and upended the pervasive and reductive images of climate change that tend to dominate the ecological imagination. Taking an inclusive approach this book foregrounds marginalised perspectives and the multiple social and political forces that shape climate change and related ecological crises, framing understandings of the earth as home. Recent works by Fevered Sleep, Rimini Protokoll, Violeta Luna, Deke Weaver, Metis Arts, Lucy + Jorge Orta, as well as Indigenous activist movements such as NoDAPL and Idle No More, are described in detail.
This edited collection investigates the myriad ways in which disability performance travels in a globalized world. Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals and networks around the world? How do the logics of inte...
Through a series of case studies, this book explores the interrelations among Greek tragedy, theatre practices, and education in the United Kingdom. This is situated within what the volume proposes as ‘the Classics ecology’. The term ‘ecology’, frequently used in Theatre Studies, understands Classics as a field of cultural production dependent on shared knowledge circulated via formal and informal networks, which operate on the basis of mutually beneficial exchange. Productions of Greek tragedy may be influenced by members of the team studying Classics subjects at school or university, or reading popular works of Classical scholarship, or else by working with an academic consultant. ...
54 intriguing ideas for different ways to take a walk - for enthusiasts, practitioners, students and academics.
Citizen Media and Public Spaces presents a pioneering exploration of citizen media as a highly interdisciplinary domain that raises vital political, social and ethical issues relating to conceptions of citizenship and state boundaries, the construction of publics and social imaginaries, processes of co-optation and reverse co-optation, power and resistance, the ethics of witnessing and solidarity, and novel responses to the democratic deficit. Framed by a substantial introduction by the editors, the twelve contributions to the volume interrogate the concept of citizen media theoretically and empirically, and offer detailed case studies that extend from the UK to Russia and Bulgaria and from ...
Extreme athlete Don Schwartz has achieved, overcome, and somehow survived the impossible...repeatedly. A pioneer in the snowboarding world, Schwartz was horrifically burned in a tragic helicopter crash at the age of twenty which left him permanently disfigured. In the years following the accident, Schwartz goes on to become a world-level champion in various extreme sports and outdoor survival competitions. From winning and losing the legendary Death Race to standing on the podium of the World’s Toughest Mudder, to winning Gold at the Barefoot Waterskiing World Championships, Schwartz distills his inspirational perspective to provide insight into any sort of obstacle that life might erect. Despite a dizzying series of triumphs and calamities, Schwartz remains motivated throughout, all the while suffering debilitating PTSD that he didn’t even recognize he had. With an infectious positivity, this riveting and honest first-person account, gives readers intimate access to a life that has been a million miles from ordinary.
The collection gives voice to those often overlooked in birthing books, including stories from indigenous families, and families from diverse socio-economic classes, religions, and urban and rural lifestyles. Also unique are the additional stories from witnesses to birth: partners describe their awe, children write sweetly of siblings' arrivals and midwives and doulas recount their experiences aiding women in their journeys. Included as landmarks amongst the stories are testaments to birth traditions such as blessingways and umbilical cord and placenta practices. From days of labor, to babies born so quickly support did not make it in time; from waterbirths at home, to transfers to the hospi...
In the last 30 years, a distinctive intersection between disability studies – including disability rights advocacy, disability rights activism, and disability law – and disability arts, culture, and media studies has developed. The two fields have worked in tandem to offer critique of representations of disability in dominant cultural systems, institutions, discourses, and architecture, and develop provocative new representations of what it means to be disabled. Divided into 5 sections: Disability, Identity, and Representation Inclusion, Wellbeing, and Whole-of-life Experience Access, Artistry, and Audiences Practices, Politics and the Public Sphere Activism, Adaptation, and Alternative ...