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Henry Darger, who died in 1973, was a secretive Chicago janitor who has since been recognised as one of the supreme self-taught artists of the 20th century. This volume catalogues the American Folk Art Museum's recent acquisition of 37 Darger paintings.
An established American artist with a growing international reputation, Lance Letscher transforms found paper into works of art that are mysteriously evocative, often playful, and graphically beautiful. In these collages, which vary from small works on paper to elaborate constructions as large as nine by fourteen feet, Letscher emerges as a skilled colorist and abstractionist who allows blocks of color and fragments of phrases to open up intriguing avenues of memory and association. This special limited edition of Lance Letscher: Collage contains an original pinwheel collage mounted on the title page of each copy. Each collage is unique, and every book in the edition of 250 copies is signed and numbered by Lance Letscher. The dust jacket is wrapped in an archival acetate cover, and the book is placed in a custom-made slipcase printed with a pattern for a Letscher collage.
Gordon Brinckle (1915-2007) seemed like an ordinary mana modest and reserved husband and father living in an ordinary 1950s-era home in Middletown, Delaware. Known around town as the night projectionist at the local movie theater, it was the unusual way he spent his days that eventually brought him attention. In his free time, Brinckle meticulously constructed a miniature version of a grand movie palace in his basement. The Shalimar, as he called it, was not only fully functional (with nine authentic movie seats, a projection booth with a 16-mm projector, numerous speakers, and a working organ) but was also lushly designed and decorated with an obsessive attention todetail. Brinckle's "pictu...
This beautiful book presents the extraordinary work of the iconic American "outsider" artist in a new critical light, locating him as a major figure in the history of contemporary art. Self-taught and working in isolation until his death in 1973, Henry Darger realized an elaborate fantasy world of remarkable beauty and strangeness through hundreds of paintings and an epic written narrative. Angel-like Blengins with butterfly wings, natural catastrophes, innocent girls, and murderous soldiers all appear in Darger's scenes, which are reproduced in this book in double-page and gatefold illustrations. In the volume's introductory essay, Klaus Biesenbach examines the radical originality of Darger...
Published in conjection with an exhibition at the Menil Collection, Houston, June 10-October 16, 2016.
A celebration of the symbols of liberty, ingenuity, and refuge within American folk art from colonial days to the present is culled from the collection of the American Folk Art Museum.
"This publication, the first comprehensive catalogue of Joan Semmel's work, will trace the artist's career from early abstract-expressionist paintings through her movement-defining feminist art and activism and, finally, to the vital and monumental work that she is making today of her own mature body. This book gives readers the opportunity to experience almost fifty-five years of Semmel's extraordinary work, including forty of her paintings, as well as a selection of her rarely seen drawings, collages, and photographs. In the face of persistent censorship and in defiance of deep-rooted sexism and ageism, Joan Semmel (b. 1932) relentlessly makes paintings that reflect the ongoing struggle fo...
Presents the life and career of the New York artist, who rose from being a teenage graffiti painter to a international celebrity before his early death at the age of twenty-seven from a drug overdose.
Architect Turner Brooks has quietly built a practice in rural New England that is comprised primarily of residential projects. By combining vernacular elements and traditional materials with his unique view of the relationship of buildings to the landscape, he has created a body of work that contains some of the most interesting small-scale single-family houses being built today. "I see my buildings as compact bodies-taut, stretched, swelling-objects with a strong sense of directionality, isolated on the landscape which they inhabit easily, but from which they are read as distinctly separate. They are often built on the scruffy abandoned edges of this great agricultural landscape-they hover ...