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Chronicles the education and career of Canadian theoretical physicist Brooks (1876-1933), who worked with Ernest Rutherford at McGill University, with Marie Curie in Paris, and at universities in the US. Emphasizes her struggles as a woman in the field. Annotation copyrighted by Book News, Inc., Portland, OR
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A reassessment of the art and achievements of the first black author to win the Pulitzer Prize
Mel Brooks is often regarded as one of Hollywood's funniest men, thanks to such highly successful films as The Producers, Blazing Saddles, and Young Frankenstein. His films do have a tendency to turn out much like the jokes that comprise them--hit-or-miss, one minute shoot-the-moon brilliant and the next minute well short of laughs. This work provides a thorough synopsis and thematic analysis for each of his twelve films along with complete cast and production credits: The Producers (1968), The Twelve Chairs (1970), Blazing Saddles (1974), Young Frankenstein (1974), Silent Movie (1976), High Anxiety (1977), History of the World--Part 1 (1981), To Be or Not to Be (1983), Spaceballs (1987), Life Stinks (1991), Robin Hood: Men in Tights (1993), and Dracula: Dead and Loving It (1995).
The Education of Phillips Brooks probes the formative years of one of the best-known figures of Victorian America's "Gilded Age." Rigorously researched, bringing as yet untapped archival material into play, John F. Woolverton's book is an extremely readable and fascinating look at a gifted, persuasive clergyman and public figure. One of the most influential ministers of his time, Brooks delivered the sermon over the body of Abraham Lincoln at Independence Hall in Philadelphia and is known for penning the lyrics to "O Little Town of Bethlehem." Although Brooks was not a major theologian, he was nurtured in an atmosphere of serious religious thought. In the crisis era of pre-Civil War America,...
The History of the Central Brooks Range uses rare primary sources in order to provide a chronological examination and history of the Koyukuk region--including anthropological descriptions of the Native groups that make the Central Brooks Range and its surroundings their home. The history of early exploration, mining, and the Klondike all overflow into the story of the Koyukuk region and its rich cultural heritage, and William E. Brown provides a fascinating history of the extraordinary ways of survival employed by pioneers in this rugged northern land. Supplemented with detailed descriptions by Robert Marshall, The History of the Central Brooks Range is further enhanced by over 150 beautiful full-color illustrations--from early exploration to the creation of the Gates of the Arctic National Park--making this an essential volume for anyone interested in Alaska Native studies.
James Abijah Brooks (1855-1944) was one of the four Great Captains in Texas Ranger history, others including Bill McDonald, John Hughes, and John Rogers. Over the years historians have referred to the captain as "John" Brooks, because he tended to sign with his initials, but also because W. W. Sterling's classic Trails and Trials of a Texas Ranger mistakenly named him as Captain John Brooks. Born and raised in Civil War-torn Kentucky, a reckless adventurer on the American and Texas frontier, and a quick-draw Texas Ranger captain who later turned in his six-shooter to serve as a county judge, Brooks's life reflects the raucous era of the late nineteenth and early twentieth-century American We...
Albert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life...
A spirited dive into the life and career of a performer, writer, and director who dominated twentieth-century American comedy Mel Brooks, born Melvin Kaminsky in Brooklyn in 1926, is one of the great comic voices of the twentieth century. Having won almost every entertainment award there is, Brooks has straddled the line between outsider and insider, obedient and rebellious, throughout his career, making out-of-bounds comedy the American mainstream. Jeremy Dauber argues that throughout Brooks’s extensive body of work—from Your Show of Shows to Blazing Saddles to Young Frankenstein to Spaceballs—the comedian has seen the most success when he found a balance between his unflagging, subversive, manic energy and the constraints imposed by comedic partners, the Hollywood system, and American cultural mores. Dauber also explores how Brooks’s American Jewish humor went from being solely for niche audiences to an essential part of the American mainstream, paving the way for generations of Jewish (and other) comedians to come.