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Limestone Legends
Legendary fly-fishing greats, all members of one of the country's most prestigious clubs, present angling tips, scientific information, and stream-side tales from their 50-year old archives. Read this book for all its wonderful lessons in good fishing, and for all its jubilant, thoughtful camaraderie.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Unfolding Time
This book addresses the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy.
Field & Stream
FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.
The Art of French Piano Music
An essential resource for scholars and performers, this study by a world-renowned specialist illuminates the piano music of four major French composers, in comparative and reciprocal context. Howat explores the musical language and artistic ethos of this repertoire, juxtaposing structural analysis with editorial and performing issues. He also relates his four composers historically and stylistically to such predecessors as Chopin, Schumann, Liszt, the French harpsichord school, and Russian and Spanish music. Challenging long-held assumptions about performance practice, Howat elucidates the rhythmic vitality and invention inherent in French music. In granting Faur� and Chabrier equal consideration with Debussy and Ravel, he redresses a historic imbalance and reshapes our perceptions of this entire musical tradition. Outstanding historical documentation and analysis are supported by Howat’s direct references to performing traditions shaped by the composers themselves. The book balances accessibility with scholarly and analytic rigor, combining a lifetime’s scholarship with practical experience of teaching and the concert platform
A False Spring
“One of the best and truest books about baseball, and about coming to maturity in America.” —Time In the late 1950s, acclaimed sportswriter Pat Jordan was a young pitching phenom, blowing away opposing batters for his Fairfield, Connecticut, high school baseball team. Fifteen major league clubs offered him a contract, but it was the Milwaukee Braves who won out, signing Jordan to a $45,000 bonus—one of the largest paid to any new player by the organization—and shipping him off to McCook, Nebraska, to play for their Class D ball club. It did not take long, however, for Jordan to realize he was out of his depth in professional baseball’s backwoods. He battled with inconsistency and a lack of control for three dismal seasons in such far-flung locales as Keokuk, Iowa, and Palatka, Florida, before the Braves released him and he gave up his dreams of big league greatness. Declared “unforgettable” by the Los Angeles Times and “a major triumph” by the Philadelphia Inquirer, A False Spring is a powerful and deeply affecting memoir about the gift of athletic talent and the heartbreak of unfulfilled promise.
Music and Sonic Art
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.
The Age of Chopin
This multidisciplinary collection addresses Chopin's life and oeuvre in various cultural contexts of his era. Fourteen original essays by internationally-known scholars suggest new connections between his compositions and the intellectual, literary, artistic, and musical environs of Warsaw and Paris. Individual essays consider representations of Chopin in the visual arts; reception in the United States and in Poland; analytical aspects of the mazurkas and waltzes; and political, literary, and gender aspects of Chopin's music and legacy. Several senior scholars represent the fields of American, Western European, and Polish history; Slavic literature; musicology; music theory; and art history.
Interpreting Musical Gestures, Topics, and Tropes
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor
Dramma Giocoso
The three Mozart/Da Ponte operas offer a inexhaustible wellspring for critical reflection, possessing a complexity and equivocation common to all great humane works. They have the potential to reflect and refract whatever locus of contemporaneity may be the starting point for enquiry. Thus, even postmodern and postmillennial concerns, far from seeming irrelevant to these operas, are instead given new perspectives by them, while the music and the dramatic situations have the multivalency to accept each refreshed palette of interpretation without loss of their essential character. These operas seem perennially new. In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, the authors of this book do not shun approaches that have foundations in established theory, but refract them through such problems as the tension between operatic tradition and psychological realism, the coexistence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions but also probe the nature of musical analysis itself.
