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In the only modern study synthesizing nineteenth-century American labor history, Bruce Laurie examines the character of working-class factionalism, plebian expectations of government, and relations between the organized few and the unorganized many. Laurie also examines the republican tradition and the movements that drew on it, from the General Trades Unions in the age of Jackson to the Knights of Labor later in the century.
Why was Massachusetts one of the few Northern states to grant African-American males the right to vote? Why did it pass personal liberty laws, which helped protect fugitive slaves from federal authorities in the two decades immediately preceding the Civil War? Beyond Garrison finds answers to these important questions in unfamiliar and surprising places. Its protagonists are not the noble supporters of American abolitionism grouped around William Lloyd Garrison, but, rather, ordinary men and women in country towns and villages, encouraged by African-American activists throughout the state. Bruce Laurie's approach focuses on the politics of such antislavery advocates and demonstrates their le...
There is growing interest in the history of masculinity and male culture, including violence, as an integral part of a proper understanding of gender. In almost every historical setting, masculinity and violence are closely linked; certainly, violent crime has been overwhelmingly a male enterprise. But violence is not always criminal: in many cultural contexts violence is linked instead to honor and encoded in rituals. We possess only an imperfect understanding of the ways in which aggressive behavior, or the abstention from aggressive behavior, contributes to the construction of masculinity and male honor. In this collection, internationally renowned expert Pieter Spierenburg brings together eight scholars to explore the fascinating interrelationship of masculinity, honor, and the body. The essays focus on the United States and western Europe from the seventeenth to the twentieth centuries. The contributors are Ute Frevert, Steven Hughes, Robert Nye, Daniele Boschi, Amy Sophia Greenberg, Martin J. Wiener, Stephen Kantrowitz, and Terence Finnegan. Men and Violence will be welcomed and widely used by a broad range of scholars and students.
Although much has been written about elite Philadelphians, only in recent decades have historians paid attention to the Jews and working-class blacks, the immigrant Irish, Italians, and Poles who settled in the city and gave such sections as Moyamensing, Southwark, South Philadelphia, and Kensington their vitality. In this classic of social and ethnic history, the authors draw on census schedules, court records, city directories, and tax records as well as newspaper files and other sources to give a picture of the ways in which these less-privileged groups of Philadelphians lived. What emerges is a picture of Philadelphia radically different from the conventional portrait of a staid old city.
Wilhelm Weitling, one of the many German radicals who fled into exile after 1848, noted in the New York newspaper he founded that "everyone wants to put out a little paper". The 48ers and those who came after them strengthened their immigrant culture with a seemingly endless stream of newspapers, magazines, and calendars. In these Kampfblatter, or newspapers of the struggle, German immigrant journalists preached socialism, organized labor, and free thought. These "little papers" were the forerunners of a press that would remain influential for nearly a century. From the several perspectives of the new labor history, this volume emphasizes the importance of the German-American radical press t...
As editor of Astounding Science Fiction and Analog, John Campbell shaped the direction of science fiction — ushering in its Golden Age. Overseeing a stable of writers that included Heinlein, Clark, and Asimov, he helped the genre gain status as serious literature. However, Campbell was a writer too, and here we have collected some of his early work. Along with a half-dozen short stories and novelettes, we have included an introduction and story-by-story commentary by one of Campbell's great writers, William R. Burkett, Jr.
The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be? Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.