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Marveltown's adults are outstanding inventors, but when their best engineers create giant but stupid robots that threaten the town, it is the children's outrageous creations that save the day.
His skates were too small. Or they didn't match. Or they were that ultimate humiliation for a boy trying to play hockey--girls' white figure skates. Add to young Bruce McCall's shabby equipment his pencil-thin wrists, weak ankles, and, as he puts it, "a fruit bat's metabolism with a tree sloth's reflexes," and you'll understand why he failed so dismally in the cold, rough world of neighborhood hockey in Toronto. Bruce's catastrophic career as a rink rat epitomizes the youth he recounts in this funny, moving, sometimes disturbing memoir. In fact, Thin Ice examines a boyhood so filled with failure and disappointment that the comedy and insight its author/survivor wrests from it--like his subse...
From his hardscrabble post-World War II childhood and coming of age in Ontario to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers (77 to date), as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. A Toronto high school dropout who is self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base for over forty years. Pulling no punches, How Did I...
When it comes to the lifestyles of American Express Black Card holders, you'd never know we're in a recession. This Land Was Made For You and Me (But Mostly Me) is a hilarious catalog of the absurdly extravagant lifestyles, impossibly glamorous escapes, and pet projects of North America's one percenters. From fiberglass Baobab tree houses in the foothills of the Rockies with machine-gun ports at every level, to a four-star open-air restaurant precariously balanced atop the leafy rainforests of the Amazon basin, longtime friends and mutual fans McCall and Letterman have created an Architectural Digest-style satire of the (obscenely) rich and famous. Featuring beautiful hand-painted illustrations in McCall's inimitable style and the brilliantly caustic wit of both authors, This Land takes you on a dizzying tour of vacation homes and resorts at once utterly ridiculous and eerily plausible.
From his hardscrabble post-World War II childhood and coming of age in Ontario to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers (77 to date), as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. A Toronto high school dropout who is self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base for over forty years. Pulling no punches, How Did I...
In a world where reading is reportedly dead, renowned humorist, illustrator, and New Yorker contributor Bruce McCall offers 50 inventive, outlandish, and wickedly entertaining things to do with all those excess books in 50 Things to Do with a Book. From starting a band, building a stairway to paradise, and saving your town from a flood to improving your marriage, entertaining guests, or killing a mockingbird, the options presented in 50 Things to Do with a Book are brilliant, visionary, ironic, and absurd.
Catch up with the delightful goings-on in the fictitious 44 Scotland Street from Alexander McCall Smith . . . 'A joyous, charming portrait of city life and human foibles, which moves beyond its setting to deal with deep moral issues and love, desire and friendship' Sunday Express If only Pat Macgregor had an inkling of the embarrassment romantic, professional, even aesthetic that flowed from accepting narcissistic ex-boyfriend Bruce Anderson's invitation for coffee, she would never have said yes. And if only Matthew, her boss at the art gallery, hadn't wandered into his local bookshop and picked up a particular book at a particular time, he would never have knocked over his former English te...
Poor put-upon Bertie is still struggling to escape his overbearing mother's influence, his yoga lessons and his pink bedroom while wondering why new baby brother Ulysses looks uncomfortably like his psychotherapist. The insufferably handsome Bruce has returned from London to land, on his feet and rent-free, in the arms of heiress Julia Donald. But all is not well among the residents of 44 Scotland Street: Angus's dog and constant companion Cyril is under threat of execution, victim of a miscarriage of justice, while pretty, indecisive Pat and hopeless romantic Matthew are on the verge of making the most terrible mistake of their lives . . . Big Lou finds a new man, Matthew and Pat edge their relationship towards something more permanent - although this development is not without complications, when a glimpse of someone who just might be her handsome, caddish ex-flatmate Bruce sets Pat's pulse racing - and Domenica's friendship with Antonia is tested to the limit when an assortment of her belongings mysteriously appear in Antonia's new flat.