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Ethnic Jewellery from Indonesia: Continuity, Creativity and Evolution is a compelling introduction to the little known visual power and beauty of the body adornments used by the myriad peoples of Indonesia s outer islands, including Sumatra, Borneo, Sulawesi, Sumba and Maluku. Illustrated with more than 500 rare pieces that have been accumulated since the 1970s by collector Manfred Giehmann, the book explores the depth and breadth of an ancient and magnificent tradition, revealing the fruits of careful documentation that has taken place over a period of decades. It will provide information on the origin, meaning and purpose of the jewellery items, as well as unique insights into the people who crafted and wore the jewellery for ritual or ceremonial functions. Ethnic Jewellery: Continuity, Creativity and Evolution is a definitive work on the subject and a testimony to the greatness of a fast-disappearing Indonesian tradition."
Quirky, enigmatic and uniquely beautiful, the art and furnishings of Central and East Java's villages and palaces are little known to the art historians, museum curators and collectors of the world. Armed with all the charm and characteristics of folk art-bright, bold colours; na�ve forms and compositions; flattened perspective; anonymous origins; functionality; humour and social commentary-it is the product of a complex and ancient culture renowned for its ability to pick and choose from outside influences and incorporate them into the existing tradition without impairing the integrity of the original. With compelling, colourful photography, Javanese Antique Furniture and Folk Art celebrates this delightful art form that is just beginning to attract international attention and, with insight from the field's foremost experts, reveals the history and fascinating culture embodied in every piece of one of the world's most impressive collections of Javanese art.
Gold Jewellery of the Indonesian Archipelago features more than 500 stunning, never-before published examples of tribal, ethnic, ancient and courtly body ornaments from Indonesia's outer islands - Sumatra, Borneo, Sulawesi, the Lesser Sunda Islands and Maluku. Written by Anne Richter, author of Arts and Crafts of Indonesia and Jewelry of Southeast Asia, and Bruce Carpenter, acknowledged expert with more than 20 years of experience in the field of Indonesian art, history and culture, and more than 16 books to his name, this volume provides a compelling introduction to the little-known visual power and beauty of Indonesian jewellery. Illustrated with archival artwork and maps as well as photos of carefully selected rare ornamental adornments, this book also traces the historical origins of Indonesia's remarkably diverse culture and peoples.
Illustrated by more than 400 beatifully photographed materpieces from one of the world's largest private collections and published in a large and sumptuous folio, Indonesian Tribal Sculpture promises to be one of the most important books ever published on the subject. The artwork, which was collected by Rodger Dashow of Boston over a period of 30 years, not only includes many unpublished pieces but also types that have been rarely seen. The book also features ground breaking texts including an introduction by Andrew Gurevich and Robert Walker, the president and chairperson of the Joseph Campbell Foundation, concerning the continuing relevance of the work of that seminal philosopher and best selling author in the field of tribal studies. Bruce W. Caprenter, author and co-author of more than twenty titles on Indonesian art, history and culture, provides the main text. Written for the interested layman the book provides a clear overview of the subject and also discusses the significance of the recent scientific discovery that Indonesia is home to some of the oldest art on earth. Every art piece illustrated in the book is accompanied by descriptive captions and measurements.
Lempad of Bali is being produced by the Museum Puri Lukisan in Ubud in conjunction with a major retrospective exhibition of the renowned Balinese artist I Gusti Nyoman Lempad that will be held in the museum from September 20 to October 20, 2014. With some 600 illustrations, the book will function as a catalogue raisonnee dedicated to the life and art of this seminal artist, who has been rightly called the father of the Balinese Pita Maha group of artists. The text will be authored by a team of five respected experts including John Darling, the director of the acclaimed film on Lumpad of the same name, Hedi Hinzler, senior professor and Bali expert at Leiden University, Kaja McGowan, the curator of the Clair Holt collection and professor at Cornell University, Adrian Vicker, professor at Sydney University, Soemantri Widagdo, curator of the Museum Puri Lukisan, and Bruce W. Carpenter, Indonesian art expert.
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A visual delight of a book, featuring sumptuous photographs of more than 300 of the best designs by Indonesia's first modern jewellery designer, Runi Palar.
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Do you need a break from all the code - intensive, heavily technical books you usually pour over? Interface visionary Bruce & "Tog & " Tognazziniwill refocus your sights on the horizon with an eye - opening view of how the computer and communication industries together are poised to transform our home, education, and work lives. This readable book offers revealing, provocative, and sometimes controversial insights on a broad sampling of technology topics from quality management to the meaning of standards. Taken together, these insights furnish a forward - looking blueprint for successful software development for the future.
As Seen on BBC Between the Covers This is Chatwin's unforgettable novel of a man in war-torn Communist Prague, driven to protect his collection of porcelain figurines at any cost. Bruce Chatwin's bestselling novel traces the fortunes of the enigmatic and unconventional hero, Kaspar Utz. Despite the restrictions of Cold War Czechoslovakia, Utz asserts his individuality through his devotion to his precious collection of Meissen porcelain. Although Utz is permitted to leave the country each year, and considers defecting each time, he is not allowed to take his porcelain with him and so he always returns to his Czech home, a prisoner both of the Communist state and of his collection. 'Chatwin at his most erudite and evocative' New York Times 'His final tour de force... a pristine miniature' Independent SHORTLISTED FOR THE BOOKER PRIZE