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Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
A stunning debut historical thriller set in the turbulent 14th Century for fans of CJ Sansom, The Name of the Rose and An Instance of the Fingerpost.
President Bush was roundly criticized for likening America's antiterrorism measures to a "crusade" in 2001. Far from just a gaffe, however, such medievalism has become a dominant paradigm for comprehending the identity and motivations of America's perceived enemy in the war on terror. Yet as Bruce Holsinger argues here, this cloying post-9/11 rhetoric has served to obscure the more intricate ideological machinations of neomedievalism, the global idiom of the non-state actor: non-governmental organizations, transnational corporate militias, and terrorist organizations such as al Qaeda. Neomedievalism, Neoconservatism, and the War on Terror addresses the role of neomedievalism in contemporary politics. While international-relations theorists promote neomedievalism as a model for understanding emergent modes of global sovereignty, neoconservatives exploit its conceptual slipperiness for their own tactical ends. Holsinger concludes with a careful parsing of the Bush administration's torture memos, which enlist neomedievalism's model of feudal sovereignty on behalf of the abrogation of human rights.
The richly atmospheric new historical thriller featuring John Gower, poet and trader of secrets. Set in the turbulent 14th Century, this is perfect for fans of C. J. Sansom.
Bruce Holsinger identifies and explains an affinity for medievalism and medieval studies among the leading figures of critical theory. His book contains original essays by Bataille and Bourdieu - translated into English - that testify to the strange persistence of medievalisms in French postwar writings.
TRY A FREE SAMPLE OF THIS STUNNING DEBUT HISTORICAL THRILLER. Set in the turbulent 14th Century, this is perfect for fans of CJ Sansom, The Name of the Rose and An Instance of the Fingerpost.
'Hypnotic' New York Times 'A gripping, full-throttle page-turner' Miranda Cowley Heller, bestselling author of The Paper Palace Daphne Larsen-Hall has every reason to believe that her life as an artist in a luxury Miami house with her surgeon husband, Brantley, and their children, will carry on forever. But Luna - the world's first Category 6 hurricane - changes everything. With Brantley missing, and their finances abruptly cut off, the family find themselves in a vast shelter for the displaced a thousand miles from home. As days turn into weeks, the Larsen-Halls confront losses and circumstances they never imagined, and a world changed beneath their feet. But when tensions in the shelter re...
INSTANT NATIONAL BESTSELLER "Wise and addictive... The Gifted School is the juiciest novel I've read in ages... a suspenseful, laugh-out-loud page-turner and an incisive inspection of privilege, race and class." –J. Courtney Sullivan, author of Friends and Strangers, in The New York Times Smart and juicy, a compulsively readable novel about a previously happy group of friends and parents that is nearly destroyed by their own competitiveness when an exclusive school for gifted children opens in the community, from the author of The Displacements This deliciously sharp novel captures the relentless ambitions and fears that animate parents and their children in modern America, exploring the c...
Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the author argues that medieval music was quintessentially a practice of the flesh. The book reveals a sonorous landscape of flesh and bone, pleasure and pain, a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization that will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.
This is the first study of how a particular genre of liturgical texts and music, the Victorine sequences, were first written in great numbers during the twelfth-century.