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The Open Studio
Gathering most of poet Susan Stewart's writing on contemporary art, 'The Open Studio' illuminates a broad range of work, from Ann Hamilton installations to the sculptures & watercolours of Thomas Schuẗte & the films of Tacita Dean.
Thinking through Error
The aim of Thinking through Error: The Moving Target of Knowledge is to describe knowledge as it works in our everyday attitude and behavior. Often in life, when making decisions and choices, we do not need to test the truth of our beliefs, so there must be another way to guide ourselves. With this in mind, Antomarini presents ‘thinking through error’ instead of ‘excluding error’. That is, we act through a slow process of guess-work, followed by quick gestures. By using our own uncertainty and our exploratory abilities, we face unpredictable situations and at the same time we acknowledge the constant presence of error in our thinking. Every decision we make continuously determines and replaces an entire universe within which that decision is plausible. Our everyday knowledge is a balance between a feeling of the truth and its negation.
Aesthetics in Present Future
Aesthetics in Present Future: The Arts and the Technological Horizon collects essays by specialized scholars and a few artists, who focus on the issue of how deeply the arts change when conveyed by the new media (the web; 3D printers, videos, etc.) or also simply diffused by them. Every author shows to analyze the topic without glorifying nor criticizing this strong tendency. Their analyses proceed as descriptions, stating how both the virtual production and virtual communication change our attitudes toward what we call the arts. The scope of the topics goes from photography to cinema, to painting, from theatre to avant-guarde art and net art, construction of robots and simulation of brain functions. The result is an astonishing range of new possibilities for the arts and new perspectives regarding our knowledge of the world.
Love Lessons
Alda Merini is one of Italy's most important, and most beloved, living poets. She has won many of the major national literary prizes and has twice been nominated for the Nobel Prize--by the French Academy in 1996 and by Italian PEN in 2001. In Love Lessons, the distinguished American poet Susan Stewart brings us the largest and most comprehensive selection of Merini's poetry to appear in English. Complete with the original Italian on facing pages, a critical introduction, and explanatory notes, this collection gathers lyrics, meditations, and aphorisms that span fifty years, from Merini's first books of the 1950s to an unpublished poem from 2001. These accessible and moving poems reflect the...
On Transhumanism
Transhumanism is widely misunderstood, in part because the media have exaggerated current technologies and branded the movement as dangerous, leading many to believe that hybrid humans may soon walk among us and that immortality, achieved by means of mind-uploading, is imminent. In this essential and clarifying volume, Stefan Lorenz Sorgner debunks widespread myths about transhumanism and tackles the most pressing ethical issues in the debate over technologically assisted human enhancement. On Transhumanism is a vital primer on the subject, written by a world-renowned expert. In this book, Sorgner presents an overview of the movement’s history, capably summarizing the twelve pillars of tra...
Parkett
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Ethics of Maimonides
Hermann Cohen’s essay on Maimonides’ ethics is one of the most fundamental texts of twentieth-century Jewish philosophy, correlating Platonic, prophetic, Maimonidean, and Kantian traditions. Almut Sh. Bruckstein provides the first English translation and her own extensive commentary on this landmark 1908 work, which inspired readings of medieval and rabbinic sources by Leo Strauss, Franz Rosenzweig, and Emmanuel Levinas. Cohen rejects the notion that we should try to understand texts of the past solely in the context of their own historical era. Subverting the historical order, he interprets the ethical meanings of texts in the light of a future yet to be realized. He commits the entire Jewish tradition to a universal socialism prophetically inspired by ideals of humanity, peace, and universal justice. Through her own probing commentary on Cohen’s text, like the margin notes of a medieval treatise, Bruckstein performs the hermeneutical act that lies at the core of Cohen’s argument: she reads Jewish sources from a perspective that recognizes the interpretive act of commentary itself.
Poetry and the Fate of the Senses
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in culture. Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, she argues that poetry can counter the denigration of the senses in contemporary life and can expand our imagination of the range of human expression. Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
The Self-deceiving Muse
"Focuses on the phenomenon of self-deception, and proposes a radical revision of our commonplace understanding of it as a token of irrationality. Argues that self-deception can illuminate the rationalistic functions of character"--Provided by publisher.
The Ruins Lesson
"In 'The Ruins Lesson,' the National Book Critics Circle Award-winning poet-critic Susan Stewart explores the West's fascination with ruins in literature, visual art, and architecture, covering a vast chronological and geographical range from the ancient Egyptians to T. S. Eliot. In the multiplication of images of ruins, artists, and writers she surveys, Stewart shows how these thinkers struggled to recover lessons out of the fragility or our cultural remains. She tries to understand the appeal in the West of ruins and ruination, particularly Roman ruins, in the work and thought of Goethe, Piranesi, Blake, and Wordsworth, whom she returns to throughout the book. Her sweeping, deeply felt study encompasses the founding legends of broken covenants and original sin; Christian transformations of the classical past; the myths and rituals of human fertility; images of ruins in Renaissance allegory, eighteenth-century melancholy, and nineteenth-century cataloguing; and new gardens that eventually emerged from ancient sites of disaster"--
