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____________________________ 'The last surviving eyewitness to the Nazi power apparatus ... Her memories are remarkable given her age. Yet this book is also notable for what is not recalled ... These gaps result not from memory's decay, but from willful denial ... An effective warning' - Gerard DeGroot, The Times 'Whatever Pomsel's degree of guilt, her choice of words and actions raise important questions about coercion and complicity ... Reading this book we must hope that we can learn from history in a way that she could not' - Daily Telegraph ____________________________ I know no one ever believes us nowadays – everyone thinks we knew everything. We knew nothing. It was all a well-kept...
I had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty. Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krönes, Olaf Müller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).
'I know no one ever believes us nowadays - everyone thinks we knew everything. We knew nothing. It was all a well-kept secret. We believed it. We swallowed it. It seemed entirely plausible' Brunhilde Pomsel described herself as an 'apolitical girl' and a 'figure on the margins'. How are we to reconcile this description with her chosen profession? Employed as a typist during the Second World War, she worked closely with one of the worst criminals in world history: Nazi Propaganda Minister Joseph Goebbels. She was one of the oldest surviving eyewitnesses to the internal workings of the Nazi power apparatus until her death in 2017. Her life, mirroring all the major breaks and continuities of the twentieth century, illustrates how far-right politics, authoritarian regimes and dictatorships can rise, and how political apathy can erode democracy. Compelling and unnerving, The Work I Did gives us intimate insight into political complexity at society's highest levels - at one of history's darkest moments.
Winner of the Yad Vashem International Book Prize for Holocaust Research The scale and the depth of Nazi brutality seem to defy understanding. What could drive people to fight, kill, and destroy with such ruthless ambition? Observers and historians have offered countless explanations since the 1930s. According to Johann Chapoutot, we need to understand better how the Nazis explained it themselves. We need a clearer view, in particular, of how they were steeped in and spread the idea that history gave them no choice: it was either kill or die. Chapoutot, one of France’s leading historians, spent years immersing himself in the texts and images that reflected and shaped the mental world of Na...
This book, part media history and part group biography, tells the story of the BBC’s attempts to reach out to listeners in Nazi Germany at a time when Anglo-German relations were particularly strained. Who were the individuals behind the microphone, whose names could only be mentioned in whispered conversations on the continent? Who wrote the satirical sketches that offered comic relief to housewives struggling to obtain enough food to feed their families? And who made decisions about programme delivery and staffing? Drawing extensively on previously unexamined archival material, The BBC German Service during the Second World War: Broadcasting to the Enemy sheds light on the complex, often difficult working arrangements at the wartime BBC where people from different nationalities and socio-political backgrounds collaborated and argued about the delivery of an effective propaganda programme that would assist the Allies in defeating the Nazis.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Was the Battle of Hastings a French victory? Non! William the Conqueror was Norman and hated the French. Were the Brits really responsible for the death of Joan of Arc? Non! The French sentenced her to death for wearing trousers. Was the guillotine a French invention? Non! It was invented in Yorkshire. Ten centuries' worth of French historical 'facts' bite the dust as Stephen Clarke looks at what has really been going on since 1066 ... From the Norman (not French) Conquest, to XXX, it is a light-hearted - but impeccably researched - account of all out great-fallings out. In short, the French are quite right to suspect that the last 1,000 years have been one long British campaign to infuriate them. And it's not over yet...
As the title "The Myth of German Villainy" indicates, this book is about the mischaracterization of Germany as history's ultimate "villain." The "official" story of Western Civilization in the twentieth century casts Germany as the disturber of the peace in Europe, and the cause of both World War I and World War II, though the facts don't bear that out. During both wars, fantastic atrocity stories were invented by Allied propaganda to create hatred of the German people for the purpose of bringing public opinion around to support the wars. The "Holocaust" propaganda which emerged after World War II further solidified this image of Germany as history's ultimate villain. But how true is this "o...
Born into one of the wealthiest families in the world, Walter Rothschild became a well-known zoologist and one of Britain's best-known eccentrics. In this book, his niece Miriam describes his life.
Insight into the Middle East from a general with long experience in the region: “His analysis of the revolution in Iran is particularly enlightening.” —John Simpson, BBC journalist With the Middle East in a state of persistent change and upheaval, there has long been a need for a comprehensive yet readable study that can give the intelligent and interested layperson a greater understanding of this diverse, complex region. Simon Mayall, whose links with the area are deep and longstanding, provides just that in Soldier in the Sand. As well as analyzing the Middle East’s history and religions, which strongly influence people’s actions, attitudes, and relationships, Mayall draws on his...