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In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
With a foreword by Diego Quaglioni. This book analyses the bearing of one of the most long-standing debates of the Middle Ages, the distinction between potentia Dei absoluta and ordinata (God’s absolute and ordered power), on the modern Western legal tradition.
In this landmark collection of essays, renowned classicist Charles Segal offers detailed analyses of major texts from archaic and early classical Greek poetry; in particular, works of Alcman, Mimnermus, Sappho, Pindar, Bacchylides, and Corinna. Segal provides close readings of the texts, and then studies the literary form and language of early Greek lyric, the poets' conception of their aims and their art, the use of mythical paradigms, and the relation of the poems to their social context. A recurrent theme is the recognition of the fragility and brevity of mortal happiness and the consciousness of how the immortality conferred by poetry resists the ever-threatening presence of death and oblivion, fixing in permanent form the passing moments of joy and beauty. This is an essential book for students and scholars of ancient Greek poetry.
Reading Sappho considers Sappho's poetry as a powerful, influential voice in the Western cultural tradition. Essays are divided into four sections: "Language and Literary Context," "Homer and Oral Tradition", "Ritual and Social Context", and "Women's Erotics". Contributors focus on literary history, mythic traditions, cultural studies, performance studies, recent work in feminist theory, and more. A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Re-Reading Sappho, represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades.
Simonides of Keos was one of the most important praise-poets of the early fifth century BCE, ranking alongside Pindar and Bacchylides. In Simonides Lyricus, a group of leading international experts revisit familiar questions about his lyric poetry, and pose new ones. Themes discussed include textual criticism and attribution of fragments; poetic genre and the place of the poet’s melic fragments in his larger oeuvre; the historical, cultural and political background of the poems; and Simonides’ afterlife in the biographical and anecdotal traditions that formed around his name. The volume makes a substantial contribution to modern discussions of Simonides’ place in Greek literary and cultural history and to the understanding of this poet’s often fragmentary and difficult texts.
This volume is available on its own or as part of the seven volume set, Greek Literature. This collection reprints in facsimile the most influential scholarship published in this field during the twentieth century. For a complete list of the volume titles in this set, see the listing for Greek Literature [ISBN 0-8153-3681-0]. A full table of contents can be obtained by email: reference@routledge-ny.com.
In exploring the idea of lyric performances as 'textual events', this volume marks a departure from interpretations of Greek lyric as socio-political discourse. Building on the renewed concern with the aesthetic, it studies poetic effects that cannot be captured in terms of function alone and re-examines the relationship between form and context.
Here is a collection of papers exploring fron an interdisciplinary standpoint recent developments in teaching English as a second language. Insights into teaching methodologies, language adquisition adn applied linguistics encompass the use of literature and cultural studies in educational research, in order to provide teachers and scholars with a state-of-the-art account of the current progresses in foreing language education.