Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Private Sphere to World Stage from Austen to Eliot
Emily Dickinson's poem, 'This is my letter to the World/ That never wrote to Me --', opens the Introduction, which focuses on the near-anonymity of nineteenth-century women novelists. Close readings of works by five British novelists Jane Austen, Charlotte and Emily Brontë, Elizabeth Gaskell, and George Eliot offer persuasive accounts of the ways in which women used stealth tactics to outmaneuver their detractors. Chapters examine the 'hidden manifesto' in Austen's works, whose imaginative heroines defend women's writing; the lasting impact of Jane Eyre, with its modest heroine who takes up the pen to tell her own story, even on male writers outside the English tradition; Cathy's testament ...
Beyond the Traveller's Gaze
This book offers a stimulating analysis of three non-canonical texts in different genres written by British women who lived in Sicily in the second half of the nineteenth and the beginning of the twentieth centuries. These texts cover a series of crucial political events as well as social and cultural changes which affected the history of Sicily during the period in question, all seen through the direct and indirect experiences of the authors. The book offers a historical perspective on the late-Victorian and Edwardian representations of post-Unification Italy. At the same time the author challenges current critical literature on travel writing which tends to analyse travel texts without mak...
The Cambridge Introduction to Travel Writing
Surveying various works of travel literature, this text argues that travel writing redefines the myriad genres it often comprises.
Imitations of the Self: Jiang Yan and Chinese Poetics
Imitations of the Self reevaluates the poetry of Jiang Yan (444–505), long underappreciated because of its pervasive reliance on allusion, by emphasizing the self-conscious artistry of imitation. In context of “imitation poetry,” the popular genre of the Six Dynasties era, Jiang’s work can be seen as the culmination of central trends in Six Dynasties poetry. His own life experiences are encoded in his poetry through an array of literary impersonations, reframed in traditional literary forms that imbue them with renewed significance. A close reading of Jiang Yan’s poetry demonstrates the need to apply models of interpretation to Chinese poetry that do justice to the multiplicity of authorial self-representation.
Russia and Iran in the Great Game
This book examines the Russian explorers and officials in the nineteenth and early twentieth century who came into contact with Iran as a part of the Great Game. It demonstrates the development of Russia's own form of Orientalism, a phenomenon that has previously been thought to be exclusive to the West.
Victorian Poetry
None
Italica
None
Queer Impressions
Beginning with The Portrait of a Lady, this book shows how, in developing his unique form of realism, James highlights the tragic consequences of his American heroine's Romantic imagination, in particular, her Emersonian idealism. In order to expose Emerson's blind spot, a lacuna at the very centre of his New England Transcendentalism, James draws on the Gothic effects of Nathaniel Hawthorne and Edgar Allan Poe, thereby producing an intensification of Isabel Archer's psychological state and precipitating her awakening to a fuller, heightened consciousness. Thus Romanticism takes an aesthetic turn, becoming distinctly Paterian and unleashing queer possibilities that are further developed in J...
Michelangelo's Christian Mysticism
In this book, Sarah Rolfe Prodan examines the spiritual poetry of Michelangelo in light of three contexts: the Catholic Reformation movement, Renaissance Augustinianism, and the tradition of Italian religious devotion. Prodan combines a literary, historical, and biographical approach to analyze the mystical constructs and conceits in Michelangelo's poems, thereby deepening our understanding of the artist's spiritual life in the context of Catholic Reform in the mid-sixteenth century. Prodan also demonstrates how Michelangelo's poetry is part of an Augustinian tradition that emphasizes mystical and moral evolution of the self. Examining such elements of early modern devotion as prayer, lauda singing, and the contemplation of religious images, Prodan provides a unique perspective on the subtleties of Michelangelo's approach to life and to art. Throughout, Prodan argues that Michelangelo's art can be more deeply understood when considered together with his poetry, which points to a spirituality that deeply informed all of his production.
