Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Portrait of the Artist and His Mother in Twentieth-Century Italian Culture
The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pie...
Bloodstained Narratives
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, Émilie von Garan, Connor John Warden, and Sean Woodard The giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava’s The Girl Who Knew Too Much (1963) and Dario Argento’s The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom. In Bloodstained Na...
Davide Rondoni
In this monograph, Gregory M. Pell provides a full-length study on the poetry of Davide Rondoni, one of Italy’s most active contemporary writers and thinkers. This book includes comparative studies of Jorie Graham, Gjertrud Schnackenberg, Charles Wright, John Ashbery, Patrizia Fazzi, and Mario Luzi. As the first book in English on Davide Rondoni’s poetry, this study explores how the Italian poet deals with art, and the places of art, in a way that transcends the notion of ekphrasis (or, verbal representation of pictorial art) to see poetry as the transcription of an experience with art, thus becoming a sort of anti-ekphrasis, or an atmospheric ekphrasis. The social and religious aspects of art take precedence over aesthetic concerns, without discounting them, in Rondoni’s unsentimental poetry, which takes the form of recitative theatrical monologues. Thus, art becomes more than simple visual representation or the subject of an art history catalogue. Instead, in certain poets, such as Rondoni, we experience life through art’s complete process: from the artist’s originary idea to the work’s execution to our interaction with it in the here and now.
Annie Chartres Vivanti
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.
Resisting Bodies
None
Return Narratives
This book is a comparative study of six Italian American and Greek American literary works written in the three last decades of the 20th century and examined in pairs. Based on the common theme of the authors' return, either metaphorical or literal to the country of origin and its culture, Return Narratives explores the common motifs of mythology, ritual, and storytelling where the third generation writers resort to in their quest for self-definition. With a common historical and cultural background in the old neighboring countries, Greece and Italy, and a similar reception in the new world facilitating a comparative approach, the ethnic writers of the two literatures, clearly envisage ethnic space as a site of resilience and empowerment.
Pasolini’s Lasting Impressions
Noted as a ‘civil poet’ by Alberto Moravia, Pier Paolo Pasolini was a creative and philosophical genius whose works challenged generations of Western Europeans and Americans to reconsider not only issues regarding the self, but also various social concerns. Pasolini’s works touched and continues to inspire students, scholars, and intellectuals alike to question the status quo. This collection of thirteen articles and two interviews evidences the on-going discourse around Pasolini’s lasting impressions on the new generation. Pasolini’s Lasting Impressions: Death, Eros and Literary Enterprise in the Opus of Pier Paolo Pasolini thus explores the civic poet’s oeuvre in four parts: po...
Resistance, Heroism, Loss
In no other country in Europe has national identity been so closely bound to memories of the war. Italy’s Republic was born of World War II, its constitution defined by anti-Fascism, its parties self-identified with national Resistance. Because of their importance to the nation’s identity, the nature and meaning of the war have been the focus of great contention, from 1943 to the present day. In recent years Italy has taken on a national evaluation of the more troubling and contested aspects of its role in the war, including its support of Fascism and collaboration after 1943, its treatment of Jews and other minorities, deep national divisions that created a civil war between 1943 and 19...
Performing Bodies
Performing Bodies: Female Illness in Italian Literature and Cinema (1860-1920) explores the variations in the portrayal of female illness in Italian fin de siècle literature and early cinema. Catherine Ramsey-Portolano begins her study with an overview of nineteenth-century theories on female inferiority and nervous disorders, especially hysteria. 19th-century European scientific and philosophical discourse on women’s bodies, which focused on female biological functions and malfunctions, accompanied an abundant fin de siècle literary representation of female illness, a theme which also carried over into the cinematic genre of diva films of the 1910s. Ramsey-Portolano’s analysis of fin ...
Archaic Modernism
Detailed textual readings evoking the archaic sensibility and modernist style of Pier Paolo Pasolini. In Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini's own theories of a "Cinema of Poetry" alongside Jacques Derrida's concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini's Greek tragedy films exemplify a paradoxic...
