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In-betweens
THE STORY: Two dangerous ex-cons battle for the affections of a beautiful young transvestite in a small apartment in the Bronx. But will a desperate neighborhood whore with a newborn baby prove the most dangerous person of all?
The Lost Promise of Civil Rights
Listen to a short interview with Risa GoluboffHost: Chris Gondek | Producer: Heron & Crane In this groundbreaking book, Risa L. Goluboff offers a provocative new account of the history of American civil rights law. The Supreme Court's decision in Brown v. Board of Education has long dominated that history. Since 1954, generations of judges, lawyers, and ordinary people have viewed civil rights as a project of breaking down formal legal barriers to integration, especially in the context of public education. Goluboff recovers a world before Brown, a world in which civil rights was legally, conceptually, and constitutionally up for grabs. Then, the petitions of black agricultural workers in the...
Shyster
THE STORY: Harry Sobel comes back to the Lower East Side a week late for his father's funeral. Already home are Rebecca, his sister, who is back from Israel, where she got wounded in the Army, and Ada, Harry's mother, who is perpetually hurt and di
Big Al ; And, My Side of the Story
THE STORIES: BIG AL gives us Leo, Al Pacino's biggest, you might say obsessed, fan whose apartment is decorated with Pacino posters and props. After meeting a woman who works for Pacino's film production company, Leo has a chance to present a scrip
The New York Times Theatre Reviews 1999-2000
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
Directors Tell the Story
Move over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time. Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X factor that distinguishes the excellent director f...
Creating K-Pax -Or- Are You Sure You Want to Be a Writer?
In November, 2001, I was sued, along with almost everyone else connected with the film version of my novel K-PAX, for plagiarizing an Argentinean movie called Man Facing Southeast (the suit was later dismissed). At about the same time, dozens of letters arrived from fans asking where the ideas for the book/film originated. Together, these developments led me to ponder how my difficult life had led me to become a writer, and how I came to write K-PAX in particular. The resulting memoir includes excerpts from unpublished work, and ends with a chapter of advice for other would-be novelists.
The Art of Film Acting
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
The Fall of Rome
Latin instructor Jerome Washington is a man out of place. The lone African-American teacher at the Chelsea School, an elite all-boys boarding school in Connecticut, he has spent nearly two decades trying not to appear too "racial." So he is unnerved when Rashid Bryson, a promising black inner-city student who is new to the school, seeks Washington as a potential ally against Chelsea's citadel of white privilege. Preferring not to align himself with Bryson, Washington rejects the boy's friendship. Surprised and dismayed by Washington's response, Bryson turns instead to Jana Hansen, a middle-aged white divorcée who is also new to the school -- and who has her own reasons for becoming involved in the lives of both Bryson and Washington. Southgate makes her debut as a writer to watch in this compelling, provocative tale of how race and class ensnare Hansen, Washington, and Bryson as they journey toward an inevitable and ultimately tragic confrontation.
Frame by Frame III
An invaluable compendium for anyone interested in cinema
