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Marlowe and Shakespeare
Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene’s comments in 1592 and ends with the post-9/11 and 7/7 era. The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse.
Art's Visionary Moment
The collection Art’s Visionary Moment: Personal Encounters with Works That Last a Lifetime was inspired by T. S. Eliot’s observation in his Dante (1929): “The experience of a poem is the experience both of a moment and of a lifetime. ... There is a first, or an early moment which is unique, ... which can never be forgotten, but ... is never repeated integrally; and yet which would become destitute of significance if it did not survive in a larger whole of experience.” In this collection, scholars and artists from a variety of fields speak in personal terms, but with what one has called “intellectual passion,” of a work of art (poem, play, novel, film, visual art, among others) th...
Mistletoe and Miracles
"You can get through to him. I know you can." Though he heard her words, Trent Marlowe knew he had to be dreaming. What were the odds that Laurel would just reappear after vanishing seven years before? She'd turned his heart to stone and he wanted to keep it that way. Then he learned the real reason for her visit.… Laurel would regret leaving Trent until the day she died. She'd disappeared with a litany of secrets too shameful to confide in a man she'd never stopped loving. But now she desperately needed him to help her troubled young son. Yet how could she fight the desire Trent was reigniting? And the bittersweet yearning for a second chance?
Black Hatted Cowboys
The story of two men who take deadly action against cowboy builders. Laurence Howard is told by police that his mother and father have been killed and his sister seriously injured in an explosion at their home, caused by a gas leak because his father had, against Howard's advice, used an unqualified builder to replace his gas boiler.
Mother for Hire
None
Burrows and Beyond
John Burrows was born in 1744. He married Elizabeth Sarah Scott (1751-1797), daughter of Thomas Scott and Jannet Watson, 24 January 1769 in Charleston, South Carolina. They had seven children. Descendants and relatives lived mainly in South Carolina.
The Music of Billy May
Billy May was a self-taught musician and arranger. In 1938, he received his first big break arranging and playing trumpet; first, for the Charlie Barnet band, and in 1940, the band of Glenn Miller. Settling in Hollywood in 1943, his first of many big breaks in radio was playing in Ozzie Nelson's band for the Red Skelton Show. Shortly thereafter, May was asked by Nelson to be musical director to his new show, The Adventures of Ozzie and Harriet. He was also fortunate to play in the orchestra and write arrangements for John Scott Trotter on Bing Crosby's Kraft Music Hall. Billy May's earliest collaboration with Frank Sinatra produced Don't Fence Me In for broadcast on December 23, 1944. Capito...
The Complete Book of 1920s Broadway Musicals
During the Twenties, the Great White Way roared with nearly 300 book musicals. Luminaries who wrote for Broadway during this decade included Irving Berlin, George M. Cohan, Rudolf Friml, George Gershwin, Oscar Hammerstein II, Lorenz Hart, Jerome Kern, Cole Porter, Richard Rodgers, Sigmund Romberg, and Vincent Youmans, and the era’s stars included Eddie Cantor, Al Jolson, Ruby Keeler, and Marilyn Miller. Light-hearted Cinderella musicals dominated these years with such hits as Kern’s long-running Sally, along with romantic operettas that dealt with princes and princesses in disguise. Plots about bootleggers and Prohibition abounded, but there were also serious musicals, including Kern and...
Travis's Appeal (Kate's Boys, Book 4) (Mills & Boon Cherish)
A case for romance When fresh-faced Shana O’Reilly appeared at his office door, no-nonsense lawyer Travis’s carefully ordered world went into a tailspin. For the first time, he couldn’t stop thinking about a client — and not just because of her father’s mysterious request to adjust his will.
Tamburlaine: A Critical Reader
Arden Early Modern Drama Guides offer students and academics practical and accessible introductions to the critical and performance contexts of key Elizabethan and Jacobean plays. Essays from leading international scholars give invaluable insight into the text by presenting a range of critical perspectives, making the books ideal companions for study and research. Key features include: Essays on the plays' critical and performance history A keynote essay on current research and thinking about the play A selection of new essays by leading scholars A survey of resources to direct students' further reading about the play in print and online The blockbuster Tamburlaine plays (1587) instantly est...
