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Did Luke intend Peter's visionary command to eat 'unclean animals' in Acts 10 to suggest the dissolution of the Jewish Law? Whilst scholars have argued over sources, inconsistent redaction and later reception, many have failed to notice here the novel use of a type of transgression anxiety dream. John Moxon shows how by the incorporation of such naturalistic motifs, Luke takes "revelation" in a new and decidedly psychological direction, probably imitating similar developments in Graeco-Roman biography. If the vision reveals an illegitimate transfer of disgust within an exaggerated halakha of separation, then its target is prejudice and inconsistency, not the Jew-Gentile divide as such, as underlined by the ironic contrast with the pious Cornelius. In this reading, Luke's non-supercessionism is maintained, whilst showing him acutely aware of the kinds of nightmare holding many back from the nascent Gentile mission.
Revision of author's thesis (Ph. D.)--Princeton Theological Seminary, 2009.
The Trial and Crucifixion of Jesus is a comprehensive sourcebook for those looking to gain a more robust understanding of this event through the eyes of ancient writers. Featuring extrabiblical primary texts--along with a new translation and commentary by David W. Chapman and Eckhard J. Schnabel--this work is relevant for understanding Jesus' last days. The significance of Jesus' death is apparent from the space that Matthew, Mark, Luke, and John devote to the Passion narrative, from the emphasis of many speeches in the book of Acts, and from the missionary preaching and the theology of the apostle Paul. Exegetical discussions of Jesus' trial and death have employed biblical (Old Testament) ...
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more c...
"Often derided as an inferior form of literature, "romance" as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike." "Romance is a clear and wide-ranging introduction for students of literary history, comparative literature and modern literary forms. It is also a convincing case for a literary concept too often set to one side."--BOOK JACKET.
The virginity of Mary has been an influential tenet of Christian belief, a catalyst for Marian devotion, and a foundation for the construction of female Christian piety and practice. In contrast to previous biblical interpreters who have drawn on either linguistic or historical evidence to ponder whether Mary the parthenos is indeed a "virgin," in this study Mary F. Foskett takes a different course. Rather than investigating the meaning and implications of the Virgin as a reified symbol, A Virgin Conceived examines the portrayal of Mary as a virgin in two important early Christian narratives: the canonical Luke-Acts and the second-century Protevangelium of James. Foskett explores the multiple meanings and images that parthenos and virginity display in two sources and describes how they exploit this range of possible meanings in their representations of Mary. Her study departs from earlier biblical interpretation by emphasizing neither the ambiguity of the term parthenos nor the history of tradition concerning Mary. Instead, it displays the multiple meanings of "virginity" and their implications for understanding representations of the Virgin Mary.
A collection of essays on early Christian, Jewish and Greco-Roman religious discourses in antiquity, focusing on the construction of gender in relationship to broader cultural and religious themes, argumentation and identity formation in the early centuries of the common era.
Acts of Paul is a collection of early Christian traditions that were not included in the canonized Acts: the Acts of Paul and Thekla, 3 Corinthians, the Martyrdom of Paul, and other fabulous stories, such as Paul baptizing a lion. By the end of the second century, there was a rumor in North Africa that "Acts of Paul" had been fabricated by a presbyter in Asia Minor (Tertullian, De baptismo 17.5) and to this day, it is alleged that Acts of Paul is later than and inferior to the traditions preserved in Acts - historically, theologically, and otherwise. But what evidence is there for the composition and reception of Acts of Paul? In this study, Glenn E. Snyder critically examines Greek, Latin, and Coptic witnesses to Acts of Paul from the second to sixth centuries, with chapters on the independently circulating acts, extant collections, and other evidence for the formation of Acts of Paul.
The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.
So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.