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Television's Marquee Moon
Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.
Republic of Intellect
In the 1790s, a single conversational circle—the Friendly Club—united New York City's most ambitious young writers, and in Republic of Intellect, Bryan Waterman uses an innovative blend of literary criticism and historical narrative to re-create the club's intellectual culture. The story of the Friendly Club reveals the mutually informing conditions of authorship, literary association, print culture, and production of knowledge in a specific time and place—the tumultuous, tenuous world of post-revolutionary New York City. More than any similar group in the early American republic, the Friendly Club occupied a crossroads—geographical, professional, and otherwise—of American literary...
The Cambridge Companion to the Literature of New York
New York holds a special place in America's national mythology as both the gateway to the USA and as a diverse, vibrant cultural center distinct from the rest of the nation. From the international atmosphere of the Dutch colony New Amsterdam, through the expansion of the city in the nineteenth century, to its unique appeal to artists and writers in the twentieth, New York has given its writers a unique perspective on American culture. This Companion explores the range of writing and performance in the city, celebrating Herman Melville, Walt Whitman, Edith Wharton, Eugene O'Neill, and Allen Ginsberg among a host of authors who have contributed to the city's rich literary and cultural history. Illustrated and featuring a chronology and guide to further reading, this book is the ideal guide for students of American literature as well as for all who love New York and its writers.
Ragged Dick
Reproduction of the original: Ragged Dick by Horatio Alger
The Cambridge History of the American Novel
An authoritative and lively account of the development of the genre, by leading experts in the field.
#EMPiREFiLM
#EMPIREFILM is a written record of the first live tweeting of Andy Warhol's "Empire" on Feb. 19, 2011, at The Museum of Modern Art in New York City. Nothing is left out: in #EMPIREFILM we read every tweet made during the screening of this notoriously long film. A typical movie is about two hours; "Empire" consists of eight hours and five minutes of continuous slow motion footage of the Empire State Building in New York City, leaving the moviegoers/tweeters an apparent infinity to fill with observations of the obvious, banal trivia and the frivolous chatter of Manhattan's fabulously bored (punctuated with random tweets by the author). As the story toils on and the hours go by, a sense of the ...
Chronic City
Chase Insteadman is a handsome, inoffensive fixture on Manhattan's social scene, living off his earnings as a child star. Chase owes his current social status to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, and trapped in a vague routine punctuated only by Upper Eastside dinner parties and engagements. Into Chase's life enters Perkus Tooth, a wall-eyed free-range pop-critic, whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers and a desperate ache for meaning. Perkus' countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake and who is complicit take on a life-shattering urgency. Together Chase and Perkus attempt to unearth the Truth - that rarest of artifacts on an island where everything can be bought. Beautiful and tawdry, tragic and forgiving, Lethem's new novel is as always, utterly unique.
Introduction to Computational Biology
Biology is in the midst of a era yielding many significant discoveries and promising many more. Unique to this era is the exponential growth in the size of information-packed databases. Inspired by a pressing need to analyze that data, Introduction to Computational Biology explores a new area of expertise that emerged from this fertile field- the combination of biological and information sciences. This introduction describes the mathematical structure of biological data, especially from sequences and chromosomes. After a brief survey of molecular biology, it studies restriction maps of DNA, rough landmark maps of the underlying sequences, and clones and clone maps. It examines problems assoc...
The Oxford History of the Novel in English
The Oxford History of the Novel in English is a twelve-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction, written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, and tendencies. This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of t...
