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Pestilence in Medieval and Early Modern English Literature
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
The Middle Ages in Computer Games
Offers the most comprehensive analysis and discussion of medievalist computer games to date. Games with a medieval setting are commercially lucrative and reach a truly massive audience. Moreover, they can engage their players in a manner that is not only different, but in certain aspects, more profound than traditional literary or cinematic forms of medievalism. However, although it is important to understand the versions of the Middle Ages presented by these games, how players engage with these medievalist worlds, and why particular representational trends emerge in this most modern medium, there has hitherto been little scholarship devoted to them. This book explores the distinct nature of...
Desiring Truth
First published in 2005. Volumes in the Medieval History and Culture series include studies on individual works and authors of Latin and vernacular literatures, historical personalities and events, theological and philosophical issues, and new critical approaches to medieval literature and culture. Momentous changes have occurred in Medieval Studies in the past thirty years, in teaching as well as in scholarship. The Medieval History and Culture series enhances research in the held by providing an outlet for monographs by scholars in the early stages of their careers on all topics related to the broad scope of Medieval Studies, while at the same time pointing to and highlighting new directions that will shape and define scholarly discourse in the future. This volume explores a methology for articulating this relationship that fourteenth-century texts invite us to participate in the production of meaning: judgment, the willed act of moral engagement, and therefore the process, a living, evolving relationship, an open circuit between text and respondent.
Worlds Made Flesh
This book focuses on the use of the past in two senses. First, it looks at the way in which medieval texts from the eighth to the fifteenth centuries discussed the past: how they presented history, what kinds of historical narratives they employed, and what anxieties gathered around the practice of historiography. Second, this study examines twentieth-century interactions with this textual past, and the problems that have arisen for critics trying to negotiate this radically different textual culture. Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue with contemporaneous canonical works such as Troilus and Criseyde, The House of Fame, the Morte Darthur, Beowulf, and The Battle of Maldon.
The Preaching Fox
First published in 2005. Volumes in the Medieval History and Culture series include studies on individual works and authors of Latin and vernacular literatures, historical personalities and events, theological and philosophical issues, and new critical approaches to medieval literature and culture. Momentous changes have occurred in Medieval Studies in the past thirty years, in teaching as well as in scholarship. The Medieval History and Culture series enhances research in the held by providing an outlet for monographs by scholars in the early stages of their careers on all topics related to the broad scope of Medieval Studies, while at the same time pointing to and highlighting new directions that will shape and define scholarly discourse in the future. This volume is a collection of Wakefield Master’s festive plays. Characters threaten the audience with comic bravado, engage in mocking tomfoolery, and parody any number of sacred forms; it is behavior unexpected by modern students of the drama, especially from what we assume was a serious and religious medieval past, and it is unlike what we find in the other mystery cycles.
Saracens and the Making of English Identity
This book explores the ways in which discourses of religious, racial, and national identity blur and engage each other in the medieval West. Specifically, the book studies depictions of Muslims in England during the 1330s and argues that these depictions, although historically inaccurate, served to enhance and advance assertions of English national identity at this time. The book examines Saracen characters in a manuscript renowned for the variety of its texts, and discusses hagiographic legends, elaborations of chronicle entries, and popular romances about Charlemagne, Arthur, and various English knights. In these texts, Saracens engage issues such as the demarcation of communal borders, th...
Kingship, Conquest, and Patria
First Published in 2005. Distinctly interdisciplinary, Kingship, Conquest, and Patria brings together French and Welsh studies with literary and historical analysis, genre study with questions of medieval colonialisms and national writing. It treats eight centuries' worth of insular and continental literature, placing the 12th- and 13th-century development of Arthurian romance in a history of fraught, ambiguous relations between Capetian France, Angevin England, and native Wales. Overall, the book aims to contextualize how French Arthurian romance and Welsh rhamant, despite being products of opposing cultures in an age of conquest, collectively revise the figure of King Arthur created by ear...
Through the Daemon's Gate
This book tells the story of the early modern astronomer Johannes Kepler’s Somnium, which has been regarded by science historians and literary critics alike as the first true example of science fiction. Kepler began writing his complex and heavily-footnoted tale of a fictional Icelandic astronomer as an undergraduate and added to it throughout his life. The Somnium fuses supernatural and scientific models of the cosmos through a satirical defense of Copernicanism that features witches, lunar inhabitants, and a daemon who speaks in the empirical language of modern science. Swinford’s looks at the ways that Kepler’s Somnium is influenced by the cosmic dream, a literary genre that enjoyed...
Crafting the Witch
This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the cultur...
"She, this in Blak"
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