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Internally Displaced Persons (IDPs) are persons who have been forced to leave their places of residence as a result of armed conflict, violence, human rights violations, or natural or human-made disasters, but who have not crossed an international border. There are about 55 million IDPs in the world today, outnumbering refugees by roughly 2:1. Although IDPs and refugees have similar wants, needs and fears, IDPs have traditionally been seen as a domestic issue, and the international legal and institutional framework of IDP protection is still in its relative infancy. This book explores to what extent the protection of IDPs complements or conflicts with international refugee law. Three questio...
Analysing the nature of complicity in international criminal law, this book provides an account of the growing attention being paid to the issue. Exploring the responsibilities of individuals, states, and non-state actors in their obligations, the changing status of complicity in international law is demonstrated.
The Irish Yearbook of International Law supports research into Ireland's practice in international affairs and foreign policy, filling a gap in existing legal scholarship and assisting in the dissemination of Irish policy and practice on matters of international law. On an annual basis, the Yearbook presents peer-reviewed academic articles and book reviews on general issues of international law, as well as topics with significant interest for an Irish audience. Designated correspondents provide reports on international law developments in Ireland, Irish practice in international bodies, and the law of the European Union as relevant to developments in Ireland. This volume of the Yearbook includes contributions on international humanitarian law, including intersections with international human rights law and the law of state responsibility, the concept of due diligence in international law, and the exercise of international criminal jurisdiction with specific reference to Irish law.
A gothic science-fiction thriller, Observatory details the entangled lives of four people across two centuries Observatory is set at the Armagh Observatory and Museum for Astronomy and Natural Philosophy, in both 1799 and 1999. Historian Jon McKenna, hired to compile a computerised catalogue of the Observatory archives, finds his life becoming entangled with that of Nicola McLoughlin, assistant astronomer at the Observatory. Together they work to uncover the two-hundred-year-old story of astronomer Archibald Hamilton and his assistant Robert Hogg - man of science, man of God, and revolutionary. The Observatory, a symbol of both science and religion, becomes the setting for a powerful exploration of nationhood and revolution, love and betrayal. "The writing is inspired, deceptively subtle behind its up-front bile and cracked humour" (Guardian)
In international law, the refugee definition enshrined in Article 1A(2) of the Refugee Convention and its 1967 Protocol is central. Yet, seven decades on, the meaning of its key terms are widely seen as unclear. The Refugee Definition in International Law asks whether we must continue to accept this or whether a systematic legal analysis can shed new light on this important term. The volume addresses several framework questions concerning approaches to definition, interpretation, ordering, and the interrelationship between the definition's different elements. Each element is then analysed in turn, applying Vienna Convention of the Law of Treaties rules in systematic fashion. Each chapter evaluates the main disputes that have arisen and seeks to distil basic propositions that are widely agreed, as well as certain suggested propositions for resolving ongoing debates. In the final chapter, the basic propositions are assembled to demonstrate that in fact there is now more clarity about the definition than many think and that considerable progress has been made toward achieving a working definition.
Michael Joseph Molloy (1917-1994) was born and died in Milltown, Co. Galway. He originally intended to join the priesthood but was struck down by tuberculosis. It was during the long periods he spent in the hospital that he started writing plays, having been inspired by a childhood visit to the Abbey Theatre, Dublin. His first play, Old Road, was produced at the Abbey in 1943, as were The Visiting House in 1946 and The King of Friday's Men in 1948. When the old theatre burned down and the company moved to the Queen's Theatre, his The Wood of the Whispering and The Paddy Pedlar were produced there, followed by The Will and the Way, The Right Rose Tree, and The Wooing of Duvesa. After the comp...
An ordinary man is forced to confront both his own demons and the manifestation of the supernatural beyond his comprehension and control Jeremy Furlong is a successful businessman, whose life has been carefully constructed from layer upon layer of lies. That is until now, when he is confronted by the trapped poltergeist spirit of a dead boy in the squalid flat he using to have an affair. The Passion of Jerome premiered at the Peacock stage of the Abbey Theatre in February 1999. "A writer of frenetic energy and imagination." (Sunday Times)
This book addresses the relationship between International Refugee Law and International Human Rights Law. Using international refugee law’s analytical turn to human rights as its object of inquiry, it represents a critical intervention into the revisionism that has led to conceptual fragmentation and restrictive practices. Mainstream literature in refugee law reflects a mood of celebration, a narrative of progress which praises the discipline’s rescue from obsolescence. This is commonly ascribed to its repositioning alongside human rights law, its veritable rediscovery as an arm of this far greater edifice. By using human rights logic to construct the current legal paradigm and inform u...
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The Festival has also helped to launch the careers of renowned performers such as Jessye Norman, Claudio Abbado and Daniel Barenboim as well as championing the work of the twentieth-century's most important composers.