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History, Fiction, and The Tudors
This is the first book-length study of the award-winning historical drama The Tudors. In this volume twenty distinguished scholars separate documented history, plausible invention, and outright fantasy in a lively series of scholarly, but accessible and engaging essays. The contributors explore topics including Henry VIII, Catherine of Aragon, Anne Boleyn, his other wives and family, gender and sex, kingship, the court, religion, and entertainments.
The Protector
As one of the most enigmatic and most reviled kings in English history, the man who will become Richard III emerges from the pages of The Protector as a loyal brother, a fearless soldier, and an able administrator of the north of England. Neither saint nor villain, he is thrust unwillingly into power by the untimely death of his elder brother, King Edward IV, who leaves the crown to his son, a twelve-year-old boy. On his deathbed, the dying king names Richard protector of the new king and of the realm, but the youth is wholly under the influence of the Woodvilles, his mother’s family and Richard’s sworn enemies. The result is a power struggle in which Richard must fight to gain not only ...
Political Wisdom in Late Shakespeare
The four last plays of Shakespeare’s First Folio—Cymbeline, The Tempest, Henry VIII, and The Winter’s Tale—provide underappreciated resources for political thought and reflection. Political Wisdom in Late Shakespeare: A Way Out of the Wreck examines the ruling communities in each of these plays, exploring what virtues are dramatized as necessary in a courtier’s fulfillment of his or her political obligations. By lending courtly virtues their close attention, Shakespearean audiences can better appreciate how much a given court has been reformed or could be further reformed in the future. Indeed, these four late plays prove remarkably united in their presentation of five virtues—patience, piety, fidelity, clemency, and diligence—which consistently appear desirable for rulers to have and regimes to encourage. Moreover, the visions of tyranny offered in these plays remind readers how much is at stake should these courtly virtues decay or collapse. Their presence or absence signals whether any political community will, to borrow the language of Henry VIII, chart for themselves “a way out of the wreck.”
Colonel Thomas Blood Crown-Stealer 1618-1680
Reproduction of the original: Colonel Thomas Blood Crown-Stealer 1618-1680 by Wilbur Cortez Abbott
Profiles in Polo
This book, with contributions from many of the world's leading polo journalists, profiles more than 30 of the most influential polo players from history. The players covered were selected for inclusion based on their overall impact on the game rather than their prowess on the field, although many covered are considered all-time greats. Each chapter covers an individual player, including early pioneers, those who played during the "golden era" (the years between World War I and World War II), superstars, game-changers, and great contemporaries. The book includes numerous photographs and a foreword by H.R.H. The Prince of Wales.
Shakespeare’s Dramatic Persons
In Shakespeare’s Dramatic Persons, Travis Curtright examines the influence of the classical rhetorical tradition on early modern theories of acting in a careful study of and selection from Shakespeare’s most famous characters and successful plays. Curtright demonstrates that “personation”—the early modern term for playing a role—is a rhetorical acting style that could provide audiences with lifelike characters and action, including the theatrical illusion that dramatic persons possess interiority or inwardness. Shakespeare’s Dramatic Persons focuses on major characters such as Richard III, Katherina, Benedick, and Iago and ranges from Shakespeare’s early to late work, explori...
The Oxford Handbook of Thomas Middleton
The 37 essays in The Oxford Handbook of Thomas Middleton reinterpret the English Renaissance through the lens of one of its most original, and least understood, geniuses. Shakespeare's younger contemporary and collaborator, Middleton wrote modern comedies, tragedies, tragicomedies, history plays, masques, pageants, pamphlets, and poetry. The largest collection of new Middleton criticism ever assembled, this ambitious Handbook provides a comprehensive, in-depth, cutting-edge reaction to OUP's Collected Works of Thomas Middleton, winner of the 2009 MLA prize for editing, the first complete scholarly text of his voluminous and diverse oeuvre. The Handbook brings together an international, cross...
