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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
In one attractive volume, the Modern Critical Edition gives today's students and playgoers the very best resources they need to understand and enjoy all Shakespeare's works. The authoritative text is accompanied by extensive explanatory and performance notes, and innovative introductory materials which lead the reader into exploring questions about interpretation, textual variants, literary criticism, and performance, for themselves
A beginner s book on BASIC, systematically divided into three parts. The first part enables the student to learn the elementary concepts in an easy manner, the second part systematically discusses the full language while the last part presents the feature
This companion volume to The New Oxford Shakespeare: The Complete Works concentrates on the issues of canon and chronology. This major work in attribution studies presents in full the evidence behind the choices made in The Complete Works about which works Shakespeare wrote, in whole or part.
"Castration is a history of the meaning, function, and act of castration from its place in the words of Jesus in the Gospel According to Matthew and the early Church - where Augustine and the Fathers shaped the basic philosophic concepts of sexuality and chastity - to its secular reinvention in the Renaissance and its twentieth-century position at the core of psychoanalysis." "Taylor connects castration to the ancient (and continuing) human drive to re-engineer our own biology. In the medieval love story of Abelard and Heloise a violent castration makes Abelard a better theologian. In the year 2000 a sterile but otherwise functioning man is a boon to the woman who desires sex without the burdens of pregnancy." "Ranging from allegory to zooarchaeology, Castration turns an unusual and discomforting topic into a thoroughly enjoyable narrative on man's obsessive relationship to his genitals, his sexuality, and his manhood."--Jacket
Discusses changing interpretations of Shakespeare and his plays through the centuries, arguing that claims of his uniqueness reflect the characteristics of particular eras and critics more than Shakespeare.
Offers a completely new introduction, with a particular emphasis on the play's afterlife in global performance and adaptation.
What is worth remembering? What gets passed down from one generation to another? What does it mean to be human? Culture, Gary Taylor argues, is not what was done but what is remembered, and the social competition among different memories is as dynamically complicated as the struggle for biological survival. That struggle for culture - driven by emotions as basic as grief, pride, and resentment - is the foundation of personal and national identity. Taylor illustrates his arguments by reintroducing us to imaginative achievements that continue to stimulate us long after their creation, from Stonehenge to Hollywood - including Oedipus, Casablanca, the paintings of Velazquez, Michelangelo's sculptures, Japanese literature, Native American narratives, science fiction, the music of Stravinsky, Shakespeare's plays, the Vietnam Veterans Memorial. He also discusses the endurance of social phenomena as disparate as the global impact of the Old Testament and the evolving reputation of Richard Nixon.
The author mesmerizing readers with her command of key details about the circumstances surrounding each crime, as well as her consistently masterful examination of the criminals involved.