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Violence and Serenity
The mention of Buddhism in Indonesia calls to mind for many people the Central Javanese monument of Borobudur, one of the largest Buddhist monuments in the world and the subject of extensive scholarly scrutiny. The neglect of scholarship on Buddhist art from later periods might lead one to assume that after the tenth century Buddhism had been completely eclipsed by the predominantly Hindu Eastern Javanese dynasties. Yet, as the works discussed here illustrate, extraordinary Buddhist images were still being produced as late as the fourteenth century. Violence and Serenity offers a close examination of some of the impressive works from East Java and Sumatra and explores their political and rel...
Wisdom Embodied
Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --
Iconography of the Buddhist Sculpture of Orissa
The Present Book On The Iconography Of The Buddhist Sculpture Of Orissa Utilizes The Author'S Expertise Of Orissan Brahmanical Art To Develop A Similar Consistent And Reliable Iconographic And Stylistic Evolution For The Buddhist Arts Of Orissa And Its Adherence To, Or Deviation From, Surviving Textual Icono-Graphic Peculiarities. There Is Little Doubt That Orissa Played A Major Role In The Creation, Development And Dissemination Of Buddhist Doctrines And Concepts Throughout India And The Buddhist World, Particularly In Respect To Vajrayana Buddhism And The Iconography Of Sculptural Mandalas. Particular Emphasis In This Book Is Placed On The Reciprocal Influence Between Brahmanical And Buddhist Art In Orissa, Both Religions Expanding At The Same Time In Regard To The Proliferation Of Deities And Their Variant Forms, And Each Apparently Competing With The Other For Patronage And Converts.
Amaravati
Fully Illustrated Catalogue Of The Remarkable Sculptures From The Great Stupa At Amaravati In South East India, Which Were Brought To The British Museum In 1880. Dating Predominantly From The Second And Third Centuries Ad, They Provide A Marvellous Demonstration Of Buddhist Art And Iconography.
The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences
The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences is primarily based on the study of the largely unpublished corpus of sculpture, mostly of stone, in the Sri Pratap Singh Museum in Srinagar, and of other examples in situ elsewhere in the valley. The disparate nature and fragmentary condition of these sculptures as well as their artistic and iconographical influences have for long defied accurate analysis. The method used in the classification of these sculptures is based on close analysis of their style concentrating on recurring features such as facial and physical typology, modelling, dress and ornamentation. Comparisons are made with other examples of Kashmir bronze, ivory and stone sculpture in private and public collections both within India and abroad.
Enlightenment Embodied
Catalog of the first exhibition in the US to emphasize on the connection between the aesthetic considerations and construction techniques of Japanese Buddhist sculptors.
Buddhist Art and Architecture of China
"This interdisciplinary study on the development of Buddhist art and architecture in China from the early period till the Qing Dynasty is in a 8 11 format with 50 photo illustrations, the majority of which have never been shown or introduced to the Western world. This book has been organized so that a brief biography of Prince Gautama (later the Buddha), is first presented, followed by an explanation of the Four Noble Beliefs, and the Eightfold Path which a Buddhist must follow to reach the enlightenment, and finally the Nirvana."
Early Buddhist Narrative Art
Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.
