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Circa 1492
Surveys the art of the Age of Exploration in Europe, the Far East, and the Americas
Everlasting Flower
The defiant dictatorship of North Korea and the thriving democracy of South Korea may appear starkly different, but they share a complex and often misunderstood history that is ably recounted in Everlasting Flower. Keith Pratttraverses the ancient landscapes of the Koreas, from the kingdoms of Old Choson and Wiman Choson to the present-day 38th Parallel division. The book’s engaging narrative details the wars, ruling dynasties, Chinese and Japanese imperialism, and controversial historical events such as the abuses of the Japanese occupation. Everlasting Flower applies an equally careful eye to religious practices, dress, and food, and augments the narrative with richly illustrated pictorial essays. As the Korean peninsula assumes a prominent role in world affairs, Everlasting Flower offers an invaluable survey of Korean history and culture.
Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission
The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpin...
Muroji
Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship.
Women, Rites, and Ritual Objects in Premodern Japan
Women, Rites, and Ritual Objects in Premodern Japan, edited by Karen M. Gerhart, is a multidisciplinary examination of rituals featuring women, in which significant attention is paid to objects produced for and utilized in these rites as a lens through which larger cultural concerns, such as gender politics, the female body, and the materiality of the ritual objects, are explored. The ten chapters encounter women, rites, and ritual objects in many new and interactive ways and constitute a pioneering attempt to combine ritual and gendered analysis with the study of objects. Contributors include: Anna Andreeva, Monica Bethe, Patricia Fister, Sherry Fowler, Karen M. Gerhart, Hank Glassman, Naoko Gunji, Elizabeth Morrissey, Chari Pradel, Barbara Ruch, Elizabeth Self.
Domesticating the Dharma
Western scholarship has hitherto described the assimilation of Buddhism in Korea in terms of the importation of Sino-Indian and Chinese intellectual schools. This has led to an overemphasis on the scholastic understanding of Buddhism and overlooked evidence of the way Buddhism was practiced "on the ground." Domesticating the Dharma provides a much-needed corrective to this view by presenting for the first time a descriptive analysis of the cultic practices that defined and shaped the way Buddhists in Silla Korea understood their religion from the sixth to tenth centuries. Critiquing the conventional two-tiered model of "elite" versus "popular" religion, Richard McBride demonstrates how the e...
On the Record
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Dynamics of Interregional Exchange in East Asian Buddhist Art, 5th–13th Century
This volume examines the various patterns of trans-regional exchanges in Buddhist art within East Asia (China, Korea, and Japan) in the medieval period, from the fifth to the thirteenth centuries. A traditional approach to the study of East Asian Buddhist art revolves around the notion of an artistic relay: India was regarded as the source of inspiration for China, and China in turn influenced artistic production in the Korean peninsula and Japan. While this narrative holds some truth, it has the implicit baggage of assuming that art in the host country is only derivative and obscures a deep understanding of the complexity of transnational exchanges. The essays in this volume aim to go beyon...
The Four Great Temples
In his detailed analysis of the four temples, McCallum considers historiographical issues, settings and layouts, foundations, tiles, relics, and icons and allows readers to follow their chronological evolutions.
Hyecho's Journey
"This book is an introduction to Buddhism told as the story of the Korean pilgrim Hyecho, who traveled through the Buddhist world during its eighth-century golden age. Lopez tells the story of Hyecho's journey, along the way introducing key elements of Buddhism--its basic doctrines, monastic institutions, relationship to Islam, and importance of pilgrimage.
