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The Netizen is a theatrical play nominated in National Playwriting Competition for Bulgarian Drama. It is a futuristic play whose main character overstated his digital testament and went too far.
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
An important new survey of Eastern European theater after the collapse of the Soviet Union. Explores all aspects of theater, from playwriting, directing and acting, to repertoire creation and theatre management. Uses material never previously published on theatre life during the Communist years. Compares theater before and after the political changes in Albania, Bulgaria, Czech Republic, Hungary, Latvia, Lithuania, Moldova, Poland,Romania, Russia, Slovakia, Ukraine. Chapters begin with introductions by well-known theatre professionals or lively interviews with a major directors or playwrights - including Yury Lyubimov, Václav Havel, Andrei Sherban and Ismail Kadare.
First Published in 1998. This is Volume 8 Part 2 of Contemporary Theatre Review which is an international journal concerned with all aspects of theatre - from text-based drama and current developments worldwide, to work of an interdisciplinary or cross-cultural nature. This edition features the second part of a collection of articles on contemporary Bulgarian Theatre with the plays Stanislav Stratiev and Stefan Tsanev.
An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.