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Follywood Flashback
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Pran : A Biography
The following book is a riveting life story of Indian cinema's most memorable villain. For the better part of the twentieth century, he was recognized as the eponymous 'bad man' of Indian cinema. Whether a sadistic despot or a malicious village bully, a dissolute city animal or a wicked anti-national, Pran portrayed the infinite shades of evil with consummate ease. Such was the impact that, if for centuries, not a single person has been name Ravana, then for over three decades after Independence, almost no male child was named Pran, because he was 'branded' as the personification of evil. While Pran perfected the art of portraying evil in all its dimensions, he also immortalized the 'good' i...
--and Pran
The Following Book Is A Riveting Life Story Of Indian Cinema'S Most Memorable Villain. For The Better Part Of The Twentieth Century, He Was Recognized As The Eponymous 'Bad Man' Of Indian Cinema. Whether A Sadistic Despot Or A Malicious Village Bully, A Dissolute City Animal Or A Wicked Anti-National, Pran Portrayed The Infinite Shades Of Evil With Consummate Ease. Such Was The Impact That, If For Centuries, Not A Single Person Has Been Name Ravana, Then For Over Three Decades After Independence, Almost No Male Child Was Named Pran, Because He Was 'Branded' As The Personification Of Evil. While Pran Perfected The Art Of Portraying Evil In All Its Dimensions, He Also Immortalized The 'Good' I...
You, I, and Her
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The Shalimar Adventure
Account of the production of Shalimar, a feature film in Hindi and English.
Networked Bollywood
Networked Bollywood provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis. The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their "star switching power," theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.
Bollywood Cinema
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.
Censorship and Sexuality in Bombay Cinema
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation...
